A raft of new castaways of Buenos Aires
MUSIC> THE HISTORIC BAR LA PERLA ROCK was reopened for
What yesterday was a pizzeria in whose bathroom Tanguito Once composed "The Raft", today is a cozy space where shows are scheduled Javier Martínez, Alejandro Medina, Ricardo Soulé, Claudia Puyó, Alejandro Del Prado and Miguel Cantilo.
Thursday, November 25, 2010
How To Set Write-protection In Usb Flash Drive
One thing is the "bostalgia" and other historical revisionism applied to Argentine rock would the possible conclusion that Javier Martinez trying to say. It's Monday November 22-Day and the holiday music-gray, lonely and rainy is the opposite of color and sound. La Perla de Once, where Litto Nebbia and Tanguito-Ramses VII, to be exact-composed "The Raft", looks reframed. Much smaller and more sophisticated, of course, the pizzeria that mixed old bohemians, artists and students of philosophy when the rock was a granite in the sandbox of the Buenos Aires culture then. Where there was surf and dreams, now there is beer, sandwiches de miga, pizza, wine and delicious warm. Where Sandro came and paid breakfast The castaways were hungry and bored pockets, there is now a well-lit bar, decorated with vintage photos and a generous invitation by the new owners. Where there was rock 'camouflaged' and detuned guitars, there is now explicit and dedicated rock. Where were Tanguito, Martinez, Nebbia, Alejandro Medina, Miguel Abuelo and Moris are now some of them, two of the Manal-plus Puyó Claudia, Miguel Cantilo, Alejandro del Prado, Pipo Cipollatti, Rodolfo Garcia, Willy Quiroga and Ricardo Soulé . So goes happy to reopen the old bar rock, and so motivates the paradoxical reference Martínez, local here forever. "Bostalgia ... The nostalgia for me it manure, is written with 'b'. I am interested in looking forward and I will not enter into any move by bostalgia, but this cycle is not ... They did not make the nostalgia of the Pearl and all that. So I came and I agreed to participate, because it is a decadent thing to the dead soul, looking back. The eyes are not on the neck, are ahead ", says the man with thick glasses who once wrote" Avellaneda Blues, "walking at dawn on suburban routes. Drummer, singer and composer of one of the pioneers of Argentine rock groups, Martinez will be responsible for opening the cycle to the public tomorrow at 21.30, in the stronghold of Jujuy and Rivadavia, and repeated on Friday with his new trio: Maxi Delli Carpini Claudio Pallota guitar and on drums. "I'll play with my new training topics Manal, solo tracks and new tracks like 'Pappo's blues', 'The gold machine' and 'Positive', which are already on the internet before the record comes out, announces Martínez. Another of the founders Manal and gain experience mediating Pearl '60, Alejandro Medina, is also provided in the program with his Medinight Band, for Friday 17 and 24 December. And both chatting together in one of the tables background. "We talked, but we're not playing together," agree, compared to the hope that had arisen spontaneously among journalists and some other eternal follower. 
The artistic program by former Coven Almond and Rodolfo Garcia, also contains a Del Prado (Saturday 27), Puyo (Saturday, 4 December), Marianne (Saturday 11) and Soulé (Saturday 18). "One thing is 'bostalgia' Martinez insists," but no one can say that this is a place to play. This is a historic, symbolic, and I love all these shows are scheduled. It is good that the new owners have realized that this name is contained in the history of country rock, but redefined in a new stage. Mind you, I have nothing personal against nostalgia, all I'm saying is not practical. "The conversation between Medina and Martinez relaxed unless otherwise coupled surprise caused by the magic of the place: Willy Quiroga and Ricardo Soulé, long estranged, up playing together a version of "Wisdom Books" and an "Present." Gesture to dedicate the recently deceased Ruben Basoalto and open up a crack at a possible return of Vox Dei, if any drummer who could replace him. "We must always remember it with Ruben ... He was the one who made everything possible for Vox Dei is that it was for the history of rock ", is excited Willy. "This reopening is a wonderful opportunity to share this with these iconic musicians, even a little bit in this wonderful city that gave us the opportunity to be rock musicians, a strange thing in those days," says Soule, on reopening of the legendary space, while Del Prado makes his version of "The Roaring of Buenos Aires", the Rabid Fish recreates Puyó and Cipollati, provocative plays the "Himno a Sarmiento", just on the day of the Battle of Vuelta bound. "I do not play other songs, but this one I know" ironically from the microphone, his back to a portrait of Leopoldo Marechal. irrelevant. Long before, at least 40 years that Pearl became part of the triad-hive that next to the Cave and the Di Tella Institute set up the under-60s, now the bar area meeting was notable, literature and coffee between two writers who then (it) Bifurcaria for its aesthetic, world views and political ideals: Jorge Luis Borges and Leopoldo Marechal, with Macedonio Fernandez, who also has his picture in the pocket of Once-as liaison and host. It was, then, that air of "aesthetic vanguard" and meeting point which led, in addition to the conditions of inclusion and tolerance of the old masters, the arrival of the first rockers when about 4 in the morning left the cave and walked fifteen blocks south of the city. "The truth is that we came here because it was the only place open at that hour. Bah, it in fact had one open here in front, but we did not get even five balls. In addition, La Perla was full of female students of Philosophy, very nice pibas also gave us ball, "Martinez laughs. Manal
former pizzeria evokes then as a "four or five times" larger than today and a reverb effect "natural" that tempted to write some sketches of those who later would become rock classics in Castilian. "We had to go through a long hallway to the bathroom. It was narrow, but I had like 20 feet, and was old. In that hall there was a reverberation, and squatting Tanguito was put to play the viola and singing taking advantage of the reverb effect, which was the same as Elvis Presley wore when they recorded the tracks with a microphone and a speaker in the bathroom of the Sun Records . That was the reverberation chamber Tanguito Elvis and used it here (laughs). So I saw it, that's the photo. In fact, the only he was carrying a viola, and we were asking it to play a song each. If you go to any house and get into the bathroom, the tiles will give you a reverb like this, and this hall was tiled to the ceiling! "Recalls Martinez, who soon after managed to put a José Alberto Iglesias studio to record their only album of the poet truncated, the famous loop "in the bathroom of the Pearl of Once composed 'The Raft'." "I saw Tanguito composing 'The Raft'," reassures Martínez.
"And I knew the story by that time. Javier heard saying that while recording " Quiroga hooked. "In addition, we, the Vox Dei, we did not know La Perla. What happens is that we were in Quilmes, and assemble a Quilmes rock band and come to think of Capital at the time was crazy, it was like going to the moon on his knees (laughs). The first time we played was at the Theatre Capital Payró and then started singing in Castilian thanks to a recommendation of (Luis Alberto) Spinetta. We were not lucky enough to meet the Pearl, but knew that armed Sandro Cave near here, which was where we played bare-chested ... Madness, a kind of jolt. "" Of course, we do not know the Pearl because when we hit this town went to La Cueva de Sandro, who was Rivadavia, and only then hooked-tertiary Soulé. But this place was so significant that we were unaware until that moment. Until, with the turn of events, we begin to learn. When we marry Grace lived six blocks from here. It was 1970, and often came to visit Tanguito, Spinetta and Javier ... Let's say we met through your customers (laughs). Well, the Pearl represented a social pose different from what we were accustomed to, because down south we had a place to converge. First, because there were very few, and second because the rock had not nested, the nested rock in these districts of Buenos Aires neighborhoods that had been tango, and for some reason this happened to rock. "neuralgic point
epicenter of beat poetry" to the native ", the hippies and counterculture epochal solo bathroom where Nebbia detected something of sketching Tanguito "I am very sad and lonely here in this world of shit" and he completed the song-and then, along with "Just yesterday" and Pipo Lernoud Moris, sold 200 000 copies as part of the first single from Los Gatos in 1967 - The bar was a breeding ground for other great rock songs: "Tomato juice," for example. Or "The man left, which Tanguito-o the label that released the B-side ranked as their first single, the A was "Golden Princess" -. Over the years, Pearl became a myth, until the revisionism of recent years ended up becoming the site of Cultural Interest in 1994, 13 years later, legitimizing unveil a plaque in honor of "The Raft." "I wrote here most of the themes of Manal-Martinez recalls, without 'bostalgia'. Here and in the streets, because my music was always good street. With Tango and others were sending us to the bottom of everything and did a little guitar tracks, over coffee milk. We went with a notebook in his pocket scoring lyrics and chords, and the only thing was we went out to buy croissants in front, because they were cheaper and richer than those here. Then, when day was done, we took the train and went to Home, the home of Tango. "
Source: http://www.pagina12.com.ar/diario/suplementos/espectaculos/3-20036 -2010-11-25.html
The artistic program by former Coven Almond and Rodolfo Garcia, also contains a Del Prado (Saturday 27), Puyo (Saturday, 4 December), Marianne (Saturday 11) and Soulé (Saturday 18). "One thing is 'bostalgia' Martinez insists," but no one can say that this is a place to play. This is a historic, symbolic, and I love all these shows are scheduled. It is good that the new owners have realized that this name is contained in the history of country rock, but redefined in a new stage. Mind you, I have nothing personal against nostalgia, all I'm saying is not practical. "The conversation between Medina and Martinez relaxed unless otherwise coupled surprise caused by the magic of the place: Willy Quiroga and Ricardo Soulé, long estranged, up playing together a version of "Wisdom Books" and an "Present." Gesture to dedicate the recently deceased Ruben Basoalto and open up a crack at a possible return of Vox Dei, if any drummer who could replace him. "We must always remember it with Ruben ... He was the one who made everything possible for Vox Dei is that it was for the history of rock ", is excited Willy. "This reopening is a wonderful opportunity to share this with these iconic musicians, even a little bit in this wonderful city that gave us the opportunity to be rock musicians, a strange thing in those days," says Soule, on reopening of the legendary space, while Del Prado makes his version of "The Roaring of Buenos Aires", the Rabid Fish recreates Puyó and Cipollati, provocative plays the "Himno a Sarmiento", just on the day of the Battle of Vuelta bound. "I do not play other songs, but this one I know" ironically from the microphone, his back to a portrait of Leopoldo Marechal. irrelevant. Long before, at least 40 years that Pearl became part of the triad-hive that next to the Cave and the Di Tella Institute set up the under-60s, now the bar area meeting was notable, literature and coffee between two writers who then (it) Bifurcaria for its aesthetic, world views and political ideals: Jorge Luis Borges and Leopoldo Marechal, with Macedonio Fernandez, who also has his picture in the pocket of Once-as liaison and host. It was, then, that air of "aesthetic vanguard" and meeting point which led, in addition to the conditions of inclusion and tolerance of the old masters, the arrival of the first rockers when about 4 in the morning left the cave and walked fifteen blocks south of the city. "The truth is that we came here because it was the only place open at that hour. Bah, it in fact had one open here in front, but we did not get even five balls. In addition, La Perla was full of female students of Philosophy, very nice pibas also gave us ball, "Martinez laughs. Manal former pizzeria evokes then as a "four or five times" larger than today and a reverb effect "natural" that tempted to write some sketches of those who later would become rock classics in Castilian. "We had to go through a long hallway to the bathroom. It was narrow, but I had like 20 feet, and was old. In that hall there was a reverberation, and squatting Tanguito was put to play the viola and singing taking advantage of the reverb effect, which was the same as Elvis Presley wore when they recorded the tracks with a microphone and a speaker in the bathroom of the Sun Records . That was the reverberation chamber Tanguito Elvis and used it here (laughs). So I saw it, that's the photo. In fact, the only he was carrying a viola, and we were asking it to play a song each. If you go to any house and get into the bathroom, the tiles will give you a reverb like this, and this hall was tiled to the ceiling! "Recalls Martinez, who soon after managed to put a José Alberto Iglesias studio to record their only album of the poet truncated, the famous loop "in the bathroom of the Pearl of Once composed 'The Raft'." "I saw Tanguito composing 'The Raft'," reassures Martínez.
"And I knew the story by that time. Javier heard saying that while recording " Quiroga hooked. "In addition, we, the Vox Dei, we did not know La Perla. What happens is that we were in Quilmes, and assemble a Quilmes rock band and come to think of Capital at the time was crazy, it was like going to the moon on his knees (laughs). The first time we played was at the Theatre Capital Payró and then started singing in Castilian thanks to a recommendation of (Luis Alberto) Spinetta. We were not lucky enough to meet the Pearl, but knew that armed Sandro Cave near here, which was where we played bare-chested ... Madness, a kind of jolt. "" Of course, we do not know the Pearl because when we hit this town went to La Cueva de Sandro, who was Rivadavia, and only then hooked-tertiary Soulé. But this place was so significant that we were unaware until that moment. Until, with the turn of events, we begin to learn. When we marry Grace lived six blocks from here. It was 1970, and often came to visit Tanguito, Spinetta and Javier ... Let's say we met through your customers (laughs). Well, the Pearl represented a social pose different from what we were accustomed to, because down south we had a place to converge. First, because there were very few, and second because the rock had not nested, the nested rock in these districts of Buenos Aires neighborhoods that had been tango, and for some reason this happened to rock. "neuralgic point
epicenter of beat poetry" to the native ", the hippies and counterculture epochal solo bathroom where Nebbia detected something of sketching Tanguito "I am very sad and lonely here in this world of shit" and he completed the song-and then, along with "Just yesterday" and Pipo Lernoud Moris, sold 200 000 copies as part of the first single from Los Gatos in 1967 - The bar was a breeding ground for other great rock songs: "Tomato juice," for example. Or "The man left, which Tanguito-o the label that released the B-side ranked as their first single, the A was "Golden Princess" -. Over the years, Pearl became a myth, until the revisionism of recent years ended up becoming the site of Cultural Interest in 1994, 13 years later, legitimizing unveil a plaque in honor of "The Raft." "I wrote here most of the themes of Manal-Martinez recalls, without 'bostalgia'. Here and in the streets, because my music was always good street. With Tango and others were sending us to the bottom of everything and did a little guitar tracks, over coffee milk. We went with a notebook in his pocket scoring lyrics and chords, and the only thing was we went out to buy croissants in front, because they were cheaper and richer than those here. Then, when day was done, we took the train and went to Home, the home of Tango. "
Source: http://www.pagina12.com.ar/diario/suplementos/espectaculos/3-20036 -2010-11-25.html
Where Can I Read Shotacon?
Theater
"revolution have a look ..."
Thursday November 25, 2010
"revolution have a look ..."
Thursday November 25, 2010
ADULT THEATRE Thursday 25
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B Friday 26
Kisses on the forehead. Mercedes, a woman of seventy and nine year-old widow and fear of loneliness falls in love with Sebastian, a writer fifty years her junior. She will feel trapped in that body crumpled and slow that allows you to live this love should be lived. However, he clings to his affections until he decides the distance of his young protege. Three years later, meet again ...
Cast: Paula Lopes, Gladys Cadelli, Carmen Baistrocchi, Gaston Beltramini, Andrea Roma and Damian Romero. Direction and staging: Solange Rybak
21hs. Admission $ 20.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Saturday 27
happened in Casuarinas. Group express Theater UP Theater Group No. 33. Professor Michael Di Benedetto.
21.30hs. Input a non-perishable food to soup kitchens of Villa Montoro
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Sunday 28
revolution have a look. Urban Dance Company. Address Jorge Caballero. Martin Wizard Palomino. Dancers Rocio Balmaceda, Nazareno Calfulef, Cecilia Gauna, Martin Palomino, Eva Magid, Celeste Mattia, Paola Molina, Ricco Gastón Andrés Stazzona. Musician: Claudio D'Amico. Artist: Fernanda De Francesco. Narrator: Silvia Luna Leiva. Art and Objects: Maria Paula Padegimas. Choreography: Company Urban Dance, Jorge Caballero. Research texts and original texts: Silvia Luna Leiva, Claudio Damico and Jorge Caballero. Costume: Rocío Balmaceda.
The search time ask us what we want to be, tiger, or the fierceness of his lineage. The blood begins to make that dark ... we, we are wondering what it means to us. Perhaps a blood flying disheveled with a fury like cry. Yes, that's a joy intended blood before, to walk the terrible question: would die to have a new name?.
20hs. Admission $ 25.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Lately Sunday 28
up. Roxana Aramburú
first prize on "dramaturgy and Human Rights organized by the Ministry of Culture and Education and the Human Rights Department of the MLP 2009
recently defeated biting its tail, turns around the body that has not been buried, the necessity of facing the death rituals.
They have no name, is a security guard and a maid. Working on a site that is possibly a museum. The time is yesterday and today, bound in the continuity of the commission and omission. A "doctor" will sum work: it can be a doctor, a butcher, a collector, a tomb robber, a naturalist, a serial murderer, a trader either. The photographer, a pervert, an oligarch, a Salesian priest, a trafficker in women, a real estate agent. In anthropological safari, want to crush flesh and spirit on photo paper, display parts, transforming the subject into an object. Among so much degradation, man, woman, show and hide, lost and recovered, struggle and fatigue, sleep and wake up, rise up and submit. Survive.
recently defeated a tribute to the prisoner of the museum and so many others who remained in the Martin Garcia island in the sugar plantations, as domestic servants in wealthy families, who were paraded cultural events, displayed in human zoos.
Today, it is today.
19hs. Free admission
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
CHILDREN THEATRE Saturday 27
Princess of nature, an ecological history of Facundo Velez. The princess of nature by all means try to raise awareness and save the inhabitants of the kingdom of Garbari save to achieve the pollution generated by an evil spirit. General Directorate Maria Pascual. Facundo address Vélez. Management Assistance Facundo Lublin. Technical Assistant (Sound) Facundo Velez. Technical Assistant (Lights) Celeste Sanchez. Actors and Actresses
Roxana Lujan, Gonzalo Fantoni, Facundo Lublin and Mariana Morend. Facundo authorship Velez. Maita costumes Ortelli. Guadalupe Vivani drawings. Facundo production Vélez, María Pascual, Production Assistant Group YQE Emilio Mosconi. Sets and Props
YQE
Group 16hs. Admission $ 10.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Sunday 28
Tommy & Maggie and Climate Magic De Maria Pascual.
In a world where magic is a way of disappearing. Where dreams and hope and have no room. In a dark place where an evil count named Tifeo this charge of do away with all but all those little lights that made us feel alive, which filled us with hope and made us believe that the magic was there waiting for us ... That's where they are, Maggie and Tommy, two friends who, with magic alert help, tried to change the world ... Directorate General, María Pascual, Address, Facundo Vélez. Assistant director, Emilio Mosconi, Technical Assistant (Sound) Celeste Sanchez, Assistant Coach (Lights) Emilio Mosconi. Actors and Actresses: Gonzalo Fantoni., María Pascual, Facundo Lublin, Carolina Gonzalez., Melody Palermo, Facundo Vélez.
Authorship: María Pascual; Dressing: Maita Ortelli. Puppets: Carlos Franchimont. Drawings: Guadalupe Vivani. Facundo production Vélez, María Pascual, Production Assistant Group YQE Emilio Mosconi. Sets and Props Romina Galeazzi,
YQE
Group 16hs. Admission $ 10.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Sunday 28
The Tick. (Comic Child). Painted by the group and Item.
Cast: Cesar Benitez, Jose Duhart, Magali Ventimiglia, Alejandro Corti and Ana Alba
Original Music: Alejandro Corti, Original Idea: Cesar Benitez. Writer: Cesar Benitez and Ana Alba
Scenario: Cesar Benitez and Ana Alba. Address: Ana Alba
Paint Sets and costumes and Punto y Esteban Benitez. Design and production of wigs and makeup: Yanina Engroba Technical assistance: Lucas Delprato
In a quiet corner of our city ... The arch of the story: the flamboyant wigs designer Francesco Tick plans for world domination and establish an era governed by fashion cult. To do this, make dog hair wigs in placing a neurotransmitter to dominate the minds. But the disappearance of four-legged canine dogs commonly called, put on alert and keeps people in suspense city.
Meanwhile, in another part of town, our local superhero, the Inspector tries to solve the case and becomes an obstacle to Francesco.
the other hand, our star of the song and his trusty dog \u200b\u200bMarilín Chola unwittingly help to get rid of the Inspector Francesco
... Can the Inspector solve the case? ... "Francesco tick away with it?
16.30hs. Admission $ 15.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Source: http://laplatacultura.blogspot.com/2010/11/teatro-para-adultos-semana-del-23-al-30.html
Rohaihu. Action: Lourdes Acevedo, Virginia Barisson, Carolina Desojo, Paula Asprella, Veronica Lorenzo, Lucia Trot, Laura Abayu, Lorena Ascani, Luciana Cucuccio, Constance Carbone. Andrea Arias assistance. Playwright / Director: Gustavo Delfino, Horacio Rafart 
Rohaihu, which in Guarani language means "I love you", tells the story of several political prisoners through the story of an old soap opera "Orange Skin" interwoven links of solidarity and Love to resist oppression and plan their escape.
21hs. Admission $ 15. 
Rohaihu, which in Guarani language means "I love you", tells the story of several political prisoners through the story of an old soap opera "Orange Skin" interwoven links of solidarity and Love to resist oppression and plan their escape. Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B Friday 26
Kisses on the forehead. Mercedes, a woman of seventy and nine year-old widow and fear of loneliness falls in love with Sebastian, a writer fifty years her junior. She will feel trapped in that body crumpled and slow that allows you to live this love should be lived. However, he clings to his affections until he decides the distance of his young protege. Three years later, meet again ...
Cast: Paula Lopes, Gladys Cadelli, Carmen Baistrocchi, Gaston Beltramini, Andrea Roma and Damian Romero. Direction and staging: Solange Rybak
21hs. Admission $ 20.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Saturday 27
happened in Casuarinas. Group express Theater UP Theater Group No. 33. Professor Michael Di Benedetto.
21.30hs. Input a non-perishable food to soup kitchens of Villa Montoro
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Sunday 28
revolution have a look. Urban Dance Company. Address Jorge Caballero. Martin Wizard Palomino. Dancers Rocio Balmaceda, Nazareno Calfulef, Cecilia Gauna, Martin Palomino, Eva Magid, Celeste Mattia, Paola Molina, Ricco Gastón Andrés Stazzona. Musician: Claudio D'Amico. Artist: Fernanda De Francesco. Narrator: Silvia Luna Leiva. Art and Objects: Maria Paula Padegimas. Choreography: Company Urban Dance, Jorge Caballero. Research texts and original texts: Silvia Luna Leiva, Claudio Damico and Jorge Caballero. Costume: Rocío Balmaceda.
The search time ask us what we want to be, tiger, or the fierceness of his lineage. The blood begins to make that dark ... we, we are wondering what it means to us. Perhaps a blood flying disheveled with a fury like cry. Yes, that's a joy intended blood before, to walk the terrible question: would die to have a new name?.
20hs. Admission $ 25.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Lately Sunday 28
up. Roxana Aramburú
first prize on "dramaturgy and Human Rights organized by the Ministry of Culture and Education and the Human Rights Department of the MLP 2009
recently defeated biting its tail, turns around the body that has not been buried, the necessity of facing the death rituals.
They have no name, is a security guard and a maid. Working on a site that is possibly a museum. The time is yesterday and today, bound in the continuity of the commission and omission. A "doctor" will sum work: it can be a doctor, a butcher, a collector, a tomb robber, a naturalist, a serial murderer, a trader either. The photographer, a pervert, an oligarch, a Salesian priest, a trafficker in women, a real estate agent. In anthropological safari, want to crush flesh and spirit on photo paper, display parts, transforming the subject into an object. Among so much degradation, man, woman, show and hide, lost and recovered, struggle and fatigue, sleep and wake up, rise up and submit. Survive.
recently defeated a tribute to the prisoner of the museum and so many others who remained in the Martin Garcia island in the sugar plantations, as domestic servants in wealthy families, who were paraded cultural events, displayed in human zoos.
Today, it is today.
19hs. Free admission
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
CHILDREN THEATRE Saturday 27
Princess of nature, an ecological history of Facundo Velez. The princess of nature by all means try to raise awareness and save the inhabitants of the kingdom of Garbari save to achieve the pollution generated by an evil spirit. General Directorate Maria Pascual. Facundo address Vélez. Management Assistance Facundo Lublin. Technical Assistant (Sound) Facundo Velez. Technical Assistant (Lights) Celeste Sanchez. Actors and Actresses
Roxana Lujan, Gonzalo Fantoni, Facundo Lublin and Mariana Morend. Facundo authorship Velez. Maita costumes Ortelli. Guadalupe Vivani drawings. Facundo production Vélez, María Pascual, Production Assistant Group YQE Emilio Mosconi. Sets and Props
YQE
Group 16hs. Admission $ 10.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Sunday 28
Tommy & Maggie and Climate Magic De Maria Pascual.
In a world where magic is a way of disappearing. Where dreams and hope and have no room. In a dark place where an evil count named Tifeo this charge of do away with all but all those little lights that made us feel alive, which filled us with hope and made us believe that the magic was there waiting for us ... That's where they are, Maggie and Tommy, two friends who, with magic alert help, tried to change the world ... Directorate General, María Pascual, Address, Facundo Vélez. Assistant director, Emilio Mosconi, Technical Assistant (Sound) Celeste Sanchez, Assistant Coach (Lights) Emilio Mosconi. Actors and Actresses: Gonzalo Fantoni., María Pascual, Facundo Lublin, Carolina Gonzalez., Melody Palermo, Facundo Vélez.
Authorship: María Pascual; Dressing: Maita Ortelli. Puppets: Carlos Franchimont. Drawings: Guadalupe Vivani. Facundo production Vélez, María Pascual, Production Assistant Group YQE Emilio Mosconi. Sets and Props Romina Galeazzi,
YQE
Group 16hs. Admission $ 10.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Sunday 28
The Tick. (Comic Child). Painted by the group and Item.
Cast: Cesar Benitez, Jose Duhart, Magali Ventimiglia, Alejandro Corti and Ana Alba
Original Music: Alejandro Corti, Original Idea: Cesar Benitez. Writer: Cesar Benitez and Ana Alba
Scenario: Cesar Benitez and Ana Alba. Address: Ana Alba
Paint Sets and costumes and Punto y Esteban Benitez. Design and production of wigs and makeup: Yanina Engroba Technical assistance: Lucas Delprato
In a quiet corner of our city ... The arch of the story: the flamboyant wigs designer Francesco Tick plans for world domination and establish an era governed by fashion cult. To do this, make dog hair wigs in placing a neurotransmitter to dominate the minds. But the disappearance of four-legged canine dogs commonly called, put on alert and keeps people in suspense city.
Meanwhile, in another part of town, our local superhero, the Inspector tries to solve the case and becomes an obstacle to Francesco.
the other hand, our star of the song and his trusty dog \u200b\u200bMarilín Chola unwittingly help to get rid of the Inspector Francesco
... Can the Inspector solve the case? ... "Francesco tick away with it?
16.30hs. Admission $ 15.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Source: http://laplatacultura.blogspot.com/2010/11/teatro-para-adultos-semana-del-23-al-30.html
Saturday, November 20, 2010
Heather Harmon,retired
EMERGING THEATRE READING CYCLE 2010 Worlds
¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ ARE WAITING! !!!!!!!
November 3 Reading Before Leaving
Varas De Aida Andrade Director: Aureliano Castillo León
Cast: Tania Angeles
Begum
Oscar Ochoa Gerardo Olivares
Reading 10 November. Gastritis anatomy
Text: Itzel Lara
Address: Daniel Alberto Victoria
Cast:
Maricela Cisneros Manuel Peñalosa
Daniela Flores Aguilar
Nallely
Reading on 17 November.
The Babinski sign and address
Text: Alejandro García
Dweller: Rodrigo Espinosa
Twin 1: Daniel Meza Junco
Twin 2: Gabriel Soberón
Patient: Valentina Martínez Gallardo Marcín
Psychiatrist: Setting Norzagaray
Marie: Maricela Peñalosa
Dimensions : Gisela Garcia Trigos
Music: Fernando Lomeli
Reading November 24
Text
Another Electra and directed by Edith Ibarra
The mother, Rosa Marta Fernandez
Electra: Pilar Padilla
Voices: Carmen Herrera
Inés López de Arriaga Diana Laura Otero
Reading
December 1
JOB (Complaint in three voices to be silent and nothing)
Text: Enrique Olmos Ita
Address: Daniela Flores Serrano
Cast: Sheila Flores
Rodolfo Nevarez Jorge León
Voiceover:
Liliana Guerrero José Juan Cabello
Advice on space: Daniel R. Primo
Light: Martha Benitez.
Wednesday 20:00 hrs. FREE ENTRY
Teatro El Milagro Milan # 24 between Lucerne and General Prim
Col. Juárez
November 3 Reading Before Leaving
Varas De Aida Andrade Director: Aureliano Castillo León
Cast: Tania Angeles
Begum
Oscar Ochoa Gerardo Olivares
Reading 10 November. Gastritis anatomy
Text: Itzel Lara
Address: Daniel Alberto Victoria
Cast:
Maricela Cisneros Manuel Peñalosa
Daniela Flores Aguilar
Nallely
Reading on 17 November.
The Babinski sign and address
Text: Alejandro García
Dweller: Rodrigo Espinosa
Twin 1: Daniel Meza Junco
Twin 2: Gabriel Soberón
Patient: Valentina Martínez Gallardo Marcín
Psychiatrist: Setting Norzagaray
Marie: Maricela Peñalosa
Dimensions : Gisela Garcia Trigos
Music: Fernando Lomeli
Reading November 24
Text
Another Electra and directed by Edith Ibarra
The mother, Rosa Marta Fernandez
Electra: Pilar Padilla
Voices: Carmen Herrera
Inés López de Arriaga Diana Laura Otero
Reading
December 1
JOB (Complaint in three voices to be silent and nothing)
Text: Enrique Olmos Ita
Address: Daniela Flores Serrano
Cast: Sheila Flores
Rodolfo Nevarez Jorge León
Voiceover:
Liliana Guerrero José Juan Cabello
Advice on space: Daniel R. Primo
Light: Martha Benitez.
Wednesday 20:00 hrs. FREE ENTRY
Teatro El Milagro Milan # 24 between Lucerne and General Prim
Col. Juárez
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