Monday, March 7, 2011

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Retrofilia


We dressed with what has gone out of fashion, the stories we dream that shook our grandparents and missing values \u200b\u200bwe attribute to yesterday.
In a world that professes ignorance of the original, stealing things from long ago revealed normal.


Prefer the past can be a sign of nostalgia, a timely fashion or aesthetic outburst. Today
retrofilia prevails in many public taste film and television.
vintage style also appropriates the music fashion and graphic design.


generation feels seduced by all flashback, especially culturally breaks stereotypes and shows deposited over the ages. That is, the sixty full of flowers and stuffed with padding eighties. There are also
films set in times vague, almost fantastic, but treasuring it as a beacon vintage and style guide.


It only takes a look at the images that bring us upcoming films as "Captain America: The First Avenger" or "X-Men: First Class" who bask in the outdated and do cool .


The eye ends for giving the gift of beauty to the old image, and thus, "The King's Speech" seems more beautiful than "The Social Network."


Under retro ways, not only recovers the really memorable, but everything that is decidedly bizarre.


As postmodern gesture, the retrofilia vindicates the ridiculous and shameful to every age, and gives an ironic value.
What was bad then ends up be seductive.


But whence comes the retrofilia? Why has again more popular than ever?
happens when the past is conceived as the ideal way to count the unhappy present, which seems empty and expressionless.


is not the first time it happens.
In the seventies, the retrofilia took possession of the best creative interests.
Thus, many major Hollywood movies during those years looked at earlier times.


The retro seventies allowed "The Godfather," "American Graffiti," "Paper Moon," "The Great Gatsby," "Chinatown," "Cabaret," among many others.
All were stories that illustrated the shadows of the glorious and the splendors of the sad moments.


twilight
Their quality was what made them transcendent.
And the disappointment that was transmitted with the times, the energy crisis, Watergate, the triumph of materialism.


Back to the crisis, has returned, paradoxically, the retrofilia.
new comfort is found in counting sins of a sumptuous and atrezzadĂ­simos yesterdays.


The most enjoyed the 2010 series are set in the year of maricastaña: "Mad Men", "Downton Abbey", "Boardwalk Empire." Looking
issues that concern us today: the arrival times of change, the corruption of capitalism, the alienation of individuals, the experience of homosexuality, the integration of minorities, the role of women.


But movies and series that are committed to demystify history and the times only one way to look up the past.
There is another, much most discussed, using yesterday as the best excuse for potpourri.


is a postmodern strategy, and arises from the possibility of meeting current audiovisual products from different eras with one click.
We talk about the movies and combine it all, which playlist.
is assumed that Jonathan Rhys-Meyers is Henry VIII on's Versailles "Marie Antoinette" with music by Air or convert the turn of the century Paris in "Moulin Rouge!".


Other times, it is a revival partial interests, as does "Mamma Mia!" Regains ABBA repertoire, but lacks the seventies.
Using the past to a costume party is seen by many as a sign of degeneration of styles, a fourth division mannerism.


But voluntary anachronism no longer symptomatic as sincere as it is an exaggeration requested Retrofile purposefully around that price.


Finally, after all, between the desire and arousal testimonial carnival is where the attraction of the past. Telling or retelling, that is the question.
In any case, it is advisable to make clear the glorify past as unique.


allegedly Stay anchored in yesterdays best returns only the stale smell of camphor and produces only the vulgarity of sample.
If so fond of history, consideration should be how to spend it.

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