Independent Theatre salutes La Plata @ sl @ s tod @ s
friend who accompanied us
Happy 2011 and a lot of shit for everyone s
Source: http://teatroindependientelaplata . blogspot.com /
Friday, December 31, 2010
Simple Room Rental Agreement Form
Congratulations!
Independent Theatre salutes La Plata
@ sl @ s tod @ s
friend who accompanied us
Happy 2011 and a lot of shit for everyone s
Source: http://teatroindependientelaplata . blogspot.com /
Independent Theatre salutes La Plata @ sl @ s tod @ s
friend who accompanied us
Happy 2011 and a lot of shit for everyone s
Source: http://teatroindependientelaplata . blogspot.com /
Tuesday, December 21, 2010
Wedding Fair Hor Dourves
(EGAMIREC023) Child Cursed and The Warm Lehamo - Cursed Armoníah Instrumental - 2010
2:42
Artist: Maldito El Niño and warm Lehamo
Title of Work: Damn Instrumental Armoníah
Year: 2010
Ref: EGAMIREC023
Gender: Instrumental Hip Hop, Downtempo, NuJazz
Category: Model, Experiment
Description of the Work: instrumental version of the previous reference "Damn Armoníah" (EGAMIREC013). This paper begins with a session recorded by Cursed battery and a few attempts of technical practices and mental relief. Takes place over 3 nights adding harmonies and anglerfish (in this version do not have any lyrical accompaniment.) It forms a week later a mixture of didactic and covers a multinational. No more than 80 BPM track, a strange environment once again to report thoughts and criticisms.
Number of tracks and format: 8 tracks Kbps/44.1 MP3 at 320 kHz.
TrackList:
1. The death of an idea
3:42 2. The 2:54 señorpil
3. Tell
nodes 4. Slow time 1:58
5. Four more 3:49
6. Candles 4:45 bitter
7. Join the crazy 3:38
8. Outro 2:37
Total: 26 min. 00 sec.
Technical Working: Batteries Maldito El Niño except Tracks 2 and 4, the other instruments except the warm Lehamo Track 7. Produced, recorded and mixed at Studio Autodata Pope in July 2009. Mastered by Jonathan J. Lorenzo EHA! Stereo recording, 2010.
Artwork: Photography, design and layout by Individuo83 and Irwin aka The Double-Headed Beast
Contact: calidasarmonias@hotmail.com autodatepapa@gmail.com myspace.com / autodatepapa
myspace.com / elcalidolehamo
License: licensed under Creative Commons 3.0. Spain BY-NC-ND (http://creativecommons.org/licenses/by-nc-nd/3.0/es/)
Monday, December 20, 2010
D/c After Login Maplestory Private Server
(EGAMIREC022) VisionespanoramiK - Jose Tamayo at the Teatro ... - 2010
Artist: VisionespanoramiK
Title of Work: The Theatre José Tamayo ...
Year: 2010
Ref .: EGAMIREC022
Gender: Rap, Soul, Electronic ...
Category: Live, Live Concert
Description of the Work: Benefit Concert held on November 24, 2010 at the Teatro Jose Tamayo (La Chana, Granada), gender violence, to raise funds for the Association of Saharawi Women. Sharing the stage with DJ Ana Tijoux and dacelo (Chile), 39 minute musical condensation, the old radio broadcasts allegations in a table of women in bursts and two-wave carrier molecules.
Number of tracks and format: MP3 8 tracks at 320 kHz Kbps/44.1.
TrackList:
1) Overture 6:31
Stampede 2) Ancestors 4:31
3) Worlds ; 2:32
4) Prolific Gas
4:57 5) 5:07
Apartments 6) Death 5:22
7) Vapors ; 4:33
8) Take 5:37
Total: 39 min. 00 sec.
Technical Working: Recording and Mixing live on VisionespanoramiK. Mix and Production by VisionespanoramiK radio broadcasts for this day. Voices and arguments that appear in radio broadcasting by: Frank T, Pilar Gracia Cantu, Francisca Gracia Arco, Consuelo and Maria Luz Lorenzo Delgado. Mastered by Jonathan J. Lorenzo and VisionespanoramiK in EHA! Stereo recording, 2010.
Artwork: Artwork by Alona Morgana (alonamorgana.blogspot.com).
Contact: visionespanoramik.bandcamp.com visionespanoramik@hotmail.com ;
License: licensed under Creative Commons 3.0. Spain BY-NC-ND (http://creativecommons.org/licenses/by-nc-nd/3.0/es/)
Saturday, December 18, 2010
Jamacian Athletics Singlet
(EGAMIREC021) Santana presents ... - Project Mayhem - 2010
Artist: Santana
Title of Work: Project Mayhem
Year: 2010
Ref: EGAMIREC021
Gender: Rap, Hip Hop
Category: Model
Description of the Work: second solo album by Santana, after the previous demo "From the Other Side," published in June 2003.
Number of tracks and format: 11 tracks in MP3 format at 320 kbps / 44100Hz
TrackList:
1. Intro 3:24 The fear center
2. Richter 9 - not given by Ramon lugar__________Grabado IIIR Baraka 4:08
3. LenyLen - To cuentas________Grabado by Santana Last Quarter 3:39
4. X impregnated Jaia - Chasing the Dragon (Another mission )_______ Engraving and Tomy Dioruya the 4:17 P \u200b\u200b
5. Kiro - That's where Pena voy__________Grabado by 4:16 Without Oxygen
6. Fara-Mátame_________________Grabado by Santana Last Quarter 3:37
7. Project Mayhem (Interlude) 0:38
8. The two hanging - My soga_______Grabado in the warm Pope Autodata 4:31
9. The Ultimate Torment - Close Encounters of the 4 th Stage (RMX) by Santana __Grabado Last Quarter 3:23
10.Area 51 1:30
11.Dantitán with Nagore VSKPRO - Original Great Can_____Grabado by The G in The Good Kitchen
3:40 Technical Working : Mix, Scratches and Production by Santana Last Quarter 2010. Mastered by Jonathan J. EHA Lorenzo! 2010 stereo recording.
Artwork: Design by Kiro. Photo by Vary.
Contact: 636782220 abiansantana@hotmail.com myspace.com / dijaysantana
License: licensed under Creative Commons 3.0. Spain BY-NC-ND (http://creativecommons.org/licenses/by-nc-nd/3.0/es/)
Wednesday, December 15, 2010
How Long Does Battery Last On Sony Handycam
The Tourist Bus, an excellent option to visit La Plata
The homeless bus specially prepared for the tour of the city of diagonals. Runs dozens of points
The games will be the weekend from 10
16.12.2010 Tourist bus that runs through the various attractions of La Plata held this weekend his last trip. With the premise of promoting the growth of tourism in the provincial capital, the micro wandered homeless and hundreds of tourists and La Plata who knew in depth the cultural and historical heritage of the city. The games will run for free from Saturday at 10 at the door of Government House in 6 between 51 and 53. Activities will continue on Sunday.
Thus, after the celebrations of Christmas and New Year Bus platense return to the streets on the second weekend in January 2011 with the aim of developing the potential architectural and historic city.
The activity is a worldwide trend that aims to increase tourist traffic. "The great cities of the world bring this service," he said Ignacio Crotto, Secretary of Tourism of the province. In addition, the portfolio holder pointed out that foreign visitors "know these types of proposals", which further enhances the possibility that those who visit the City of Buenos Aires to get to La Plata for walks and internalized cultural heritage a tourist guide for free. "
Anyone interested in touring the city and its attractions can be done from the stop 0, located at headquarters Government House. From that starting point, the bus passes through the Plaza San Martín, the residence of the Governors, the Centro Cultural Pasaje Dardo Rocha, the Palace of the Legislature, the House Curuchet, the Zoo and Botanical Garden and Museum of Natural Sciences the Observatory, the Teatro Argentino, City Hall, Courts, Plaza Moreno and ends at the Metropolitan Cathedral of La Plata.
Source: http://www.elargentino.com/nota-118641-medios-122-El-Bus-Turistico-una-excelente-opcion-para-conocer-La-Plata.html
The homeless bus specially prepared for the tour of the city of diagonals. Runs dozens of points The games will be the weekend from 10
16.12.2010 Tourist bus that runs through the various attractions of La Plata held this weekend his last trip. With the premise of promoting the growth of tourism in the provincial capital, the micro wandered homeless and hundreds of tourists and La Plata who knew in depth the cultural and historical heritage of the city. The games will run for free from Saturday at 10 at the door of Government House in 6 between 51 and 53. Activities will continue on Sunday.
Thus, after the celebrations of Christmas and New Year Bus platense return to the streets on the second weekend in January 2011 with the aim of developing the potential architectural and historic city.
The activity is a worldwide trend that aims to increase tourist traffic. "The great cities of the world bring this service," he said Ignacio Crotto, Secretary of Tourism of the province. In addition, the portfolio holder pointed out that foreign visitors "know these types of proposals", which further enhances the possibility that those who visit the City of Buenos Aires to get to La Plata for walks and internalized cultural heritage a tourist guide for free. "
Anyone interested in touring the city and its attractions can be done from the stop 0, located at headquarters Government House. From that starting point, the bus passes through the Plaza San Martín, the residence of the Governors, the Centro Cultural Pasaje Dardo Rocha, the Palace of the Legislature, the House Curuchet, the Zoo and Botanical Garden and Museum of Natural Sciences the Observatory, the Teatro Argentino, City Hall, Courts, Plaza Moreno and ends at the Metropolitan Cathedral of La Plata.
Source: http://www.elargentino.com/nota-118641-medios-122-El-Bus-Turistico-una-excelente-opcion-para-conocer-La-Plata.html
Does The Scorpio Man Like Me
An ambitious book seeks to account for the many stories I crossed La Plata
Today in the shed of the crack 
16.12.2010 La Plata, Artigas invented city of Celina. There will be stories and music
La Plata, a city invented ambitious book in the strict sense of the word. This was conceived by its author Celina Artigas. Such ventures often cross often become impossible and end up fading into the air or sink before they reach safe waters. That should matter little to the author at the time to get into the making of this book, as compiler, and pursued as a top pick as many stories that serve to build or explain La Plata. Right from the preface warns, "La Plata was a city concocted without people who live there, without contemplating the possible forms of groove, "but what comes meant city after its inhabitants? Buenos Aires was first founded it? the Rome of Romulus and Remus, too? And so we move on, the merit of the book is found nothing but multiply the voices of those who give meaning to living in a city. But we must not forget that La Plata is a city invented ambitious book, which since its introduction proposes a revisionist reading if you want, and pleasantly surprised since its release. A box care welcomes the book, but also a road map, a map that locates in the perfect square, artists, journalists, storytellers and an interesting collection of postcards that arrive accompanied by lyrics, thoughts, poems. And as with all books, is the instance of the presentation, which will be this evening at 19.30 in the Shed of the Rift (18 and 71) at which time the author will be accompanied, probably, for the 80 players who participated project and the band's songs monster!, that will sound in sound plan.
almost 20 years ago, in 1991, Nicolas Shumway in the United States released the book The Invention of Argentina, a work on so-called "guiding fictions" of our country in the nineteenth century. That work soon received several awards, including The New York Times and The Latin American Studies Association. A year later, that paper was published in English by Emecé seal, which in 2002 launched a second revised edition: The Invention of Argentina. History of an Idea. In these pages Shumway, suggests that the guiding fictions are "artificial creations such as literary fiction," but "are necessary to give individuals a sense of nationhood, community, collective identity and a common national destiny." Artigas Perhaps you have read the book by Shumway, maybe not, but the important thing is that somehow La Plata, invented city realizes from its pages, but mostly stories that have de whole arsenal of stories that reveal artistic mobility, which has always had the city drawn by Peter Benoit and founded by Dardo Rocha, in that already distant November 19, 1982.
But how comes a book like this? "Esteban Rodriguez asked me to make a compilation of stories by writers of La Plata, and I thought I had to have a better idea of \u200b\u200bthat, and somehow the city full of artists, and made more sense than the book appeared that spirit of La Plata and the way it was given. That each traveling its own way alone, together or in combination with another, managed to finish cross with another who had chosen another path. We start thinking about having 30 artists in general, writers and poets, and suddenly the dynamics of the city and how people are used to relate, finished bringing increasingly called to book, and at one point exceeded expectation, and thirty pass to 80 people, each trying to find where was the money. "
While the reason for the name of the book Artigas says that "It was hard to find another name that did not contain the name of the city, somehow 'La Plata' the had to say after all the options 'invented' was most appropriate, so each inventing their own trajectories in the field of art in which dedicated and somehow invent the city, saying the reasons why so many others want to stay in more personal terms ella.Y find a vehicle to explain to those who do not live here or friends are not here that this city had made me choose it, I'm from Mar del Plata. "
of stories, that's what fuels the book and after all that's what counts. Stories about a city that is, but also of La Plata which is no longer. Buildings that do not exist, as remembered and longed nights, music in the air, characters that are not, loves that might be. Stories which can provide a foundation or just have a moment, a moment, a segment beyond everything.
Source.
http://www.elargentino.com/nota-118635-medios-122-Un-ambicioso-libro-busca-dar-cuenta-de-las-muchas-historias-que-cruzan-La-Plata.html
16.12.2010 La Plata, Artigas invented city of Celina. There will be stories and music La Plata, a city invented ambitious book in the strict sense of the word. This was conceived by its author Celina Artigas. Such ventures often cross often become impossible and end up fading into the air or sink before they reach safe waters. That should matter little to the author at the time to get into the making of this book, as compiler, and pursued as a top pick as many stories that serve to build or explain La Plata. Right from the preface warns, "La Plata was a city concocted without people who live there, without contemplating the possible forms of groove, "but what comes meant city after its inhabitants? Buenos Aires was first founded it? the Rome of Romulus and Remus, too? And so we move on, the merit of the book is found nothing but multiply the voices of those who give meaning to living in a city. But we must not forget that La Plata is a city invented ambitious book, which since its introduction proposes a revisionist reading if you want, and pleasantly surprised since its release. A box care welcomes the book, but also a road map, a map that locates in the perfect square, artists, journalists, storytellers and an interesting collection of postcards that arrive accompanied by lyrics, thoughts, poems. And as with all books, is the instance of the presentation, which will be this evening at 19.30 in the Shed of the Rift (18 and 71) at which time the author will be accompanied, probably, for the 80 players who participated project and the band's songs monster!, that will sound in sound plan.
almost 20 years ago, in 1991, Nicolas Shumway in the United States released the book The Invention of Argentina, a work on so-called "guiding fictions" of our country in the nineteenth century. That work soon received several awards, including The New York Times and The Latin American Studies Association. A year later, that paper was published in English by Emecé seal, which in 2002 launched a second revised edition: The Invention of Argentina. History of an Idea. In these pages Shumway, suggests that the guiding fictions are "artificial creations such as literary fiction," but "are necessary to give individuals a sense of nationhood, community, collective identity and a common national destiny." Artigas Perhaps you have read the book by Shumway, maybe not, but the important thing is that somehow La Plata, invented city realizes from its pages, but mostly stories that have de whole arsenal of stories that reveal artistic mobility, which has always had the city drawn by Peter Benoit and founded by Dardo Rocha, in that already distant November 19, 1982.
But how comes a book like this? "Esteban Rodriguez asked me to make a compilation of stories by writers of La Plata, and I thought I had to have a better idea of \u200b\u200bthat, and somehow the city full of artists, and made more sense than the book appeared that spirit of La Plata and the way it was given. That each traveling its own way alone, together or in combination with another, managed to finish cross with another who had chosen another path. We start thinking about having 30 artists in general, writers and poets, and suddenly the dynamics of the city and how people are used to relate, finished bringing increasingly called to book, and at one point exceeded expectation, and thirty pass to 80 people, each trying to find where was the money. "
While the reason for the name of the book Artigas says that "It was hard to find another name that did not contain the name of the city, somehow 'La Plata' the had to say after all the options 'invented' was most appropriate, so each inventing their own trajectories in the field of art in which dedicated and somehow invent the city, saying the reasons why so many others want to stay in more personal terms ella.Y find a vehicle to explain to those who do not live here or friends are not here that this city had made me choose it, I'm from Mar del Plata. "
of stories, that's what fuels the book and after all that's what counts. Stories about a city that is, but also of La Plata which is no longer. Buildings that do not exist, as remembered and longed nights, music in the air, characters that are not, loves that might be. Stories which can provide a foundation or just have a moment, a moment, a segment beyond everything.
Source.
http://www.elargentino.com/nota-118635-medios-122-Un-ambicioso-libro-busca-dar-cuenta-de-las-muchas-historias-que-cruzan-La-Plata.html
Thursday, December 9, 2010
How Much To Get Married At Disneyland
Coincidentally
collective creation based on the famous novel by Milan Kundera. Damian Cervantes
address
"It's not about being a missionary or original artist. It's about being realistic. Our business is the ability to change and thus change society. Should not ask: What is the theater for the people? It is a question demagogic and sterile. Rather, what the theater means to me? The answer turned into action, without compromise or consideration, will be the revolution in the theater "(E. Barba).
Inspired by these powerful words as eloquent as it was thought in the development of a performance ingredient that had a disagreement with the canonical forms of staging. An ingredient rather than conflict became proposal, development, imagination, creation.
is a play that raises tests scenic about: solitude, sex, love, couples, meeting, heartbreak, representation, imagination, dreams and finally the inability of man to be happy.
collective creation based on the famous novel by Milan Kundera. Damian Cervantes
address
"It's not about being a missionary or original artist. It's about being realistic. Our business is the ability to change and thus change society. Should not ask: What is the theater for the people? It is a question demagogic and sterile. Rather, what the theater means to me? The answer turned into action, without compromise or consideration, will be the revolution in the theater "(E. Barba).
Inspired by these powerful words as eloquent as it was thought in the development of a performance ingredient that had a disagreement with the canonical forms of staging. An ingredient rather than conflict became proposal, development, imagination, creation.
is a play that raises tests scenic about: solitude, sex, love, couples, meeting, heartbreak, representation, imagination, dreams and finally the inability of man to be happy.
Cast: Diana Magallón
(actress)
Luis Alberto Garcia (actor)
José Rafael Flores (actor)
Cervantes Damian (actor / director)
Functions:
Sundays 5 and 12 December at 20: 30 hrs
Tickets: $ 100 (usual discounts apply 50%)
Milan Teatro El Milagro 24 Between Lucerne and General Prim Colonia Juárez Reports: 5566 9423
Wednesday, December 8, 2010
Ap Biology Lab 1 Answers
Indistinguishable. Staging Daniela Paulina Soto Parra and Luis Escarcega. PRESENTATION OF BOOK PUBLISHING
Staging Daniela Paulina Soto Parra and Luis Escarcega.
Two actors on the scene, two characters meeting and meeting up again. Is not this the most profound essence of theatrical activities? Unraveling
text and onto the scene with the utmost honesty.
In this regard, "Indistinguishable" tells a story about two people who are in absolute nothingness (the empty space) and share the path that has led to this place. The secrets are revealed while outside, into nothingness around them, one becomes indistinguishable.
Penumbra, just a light enters through a window, she enters a new, unknown, is dressed as a bride, soaked. Torn. Inside, he notes, his home has been invaded.
Functions:
Saturdays at 19:00 hrs.
Sundays at 18:00 hrs.
Season: 4 to December 19
Tickets: $ 100 (usual discounts apply 50%)
Milan Teatro El Milagro 24 Between Lucerne and General Prim
Colonia Juárez
Reports: 5566 and 55 920 338 9423 
Staging Daniela Paulina Soto Parra and Luis Escarcega.
Two actors on the scene, two characters meeting and meeting up again. Is not this the most profound essence of theatrical activities? Unraveling
text and onto the scene with the utmost honesty.
In this regard, "Indistinguishable" tells a story about two people who are in absolute nothingness (the empty space) and share the path that has led to this place. The secrets are revealed while outside, into nothingness around them, one becomes indistinguishable.
Penumbra, just a light enters through a window, she enters a new, unknown, is dressed as a bride, soaked. Torn. Inside, he notes, his home has been invaded.
Functions:
Saturdays at 19:00 hrs.
Sundays at 18:00 hrs.
Season: 4 to December 19
Tickets: $ 100 (usual discounts apply 50%)
Milan Teatro El Milagro 24 Between Lucerne and General Prim
Colonia Juárez
Reports: 5566 and 55 920 338 9423
Tuesday, December 7, 2010
Can Running Move Gallstones
MIRACLE
In order
to give voice and forum for proposals for new writers and directors of the Mexican scene, Miracle is pleased to announce the new series from his collection of books dedicated to the young drama of our country. We think it is a way to contribute to the renewal of pictures in our theater, a way to confirm by splendid editions and new assemblies, which are gaining importance the newest generation of playwrights and stage managers in our country.
The presentation of the books will be Wednesday, December 8, 2010 at 20:00 pm with the participation of the authors and Edgar Chias. Complimentary Cocktail Bar
Milan 
In order to give voice and forum for proposals for new writers and directors of the Mexican scene, Miracle is pleased to announce the new series from his collection of books dedicated to the young drama of our country. We think it is a way to contribute to the renewal of pictures in our theater, a way to confirm by splendid editions and new assemblies, which are gaining importance the newest generation of playwrights and stage managers in our country.
The presentation of the books will be Wednesday, December 8, 2010 at 20:00 pm with the participation of the authors and Edgar Chias. Complimentary Cocktail Bar
Milan
Monday, December 6, 2010
Wedding Weekend Welcome Letter
BENITO JUAREZ BEFORE DECEMBER
BENITO JUAREZ BEFORE
before Benito Juarez, Edgar Chias
Address Esteban Castellanos *
before
Benito Juarez is an original and pioneering project was designed with the purpose of entering into the national celebrations Independence and the Mexican Revolution. Our goal is to tour in major national and international circuits due to the Bicentennial, 2010, Brothers in Mexico with countries like Colombia, Chile, Bolivia and Argentina. The bicentenary is an event of global impact, as it celebrates independence and liberal movements in Latin American countries to the European imperial rule. Benito Juárez
before is a historical fiction. It recreated a defining moment in the life of Father of the Americas at 28 years. In 1834, a group of indigenous Loxicha Township, located in the southern mountains of Oaxaca, was detained along with his attorney. The cause, having protested against the abuses that they violated a high priest tithe.
In Benito Juárez before we humanize the bronze figure of Meritorious back, perhaps to better understand some passages that history tends to simplify the degree of lie or invite us to forget. Benito Juárez
before a bridge in time. We speak of 1834, a fictionalized time, a "then" convinced that by doing this we talk deeply. We talked about something happening today that happened yesterday and that will stop soon. Edgar Chias
Functions:
Saturdays and Sundays at 13:00 hrs
Season: 4 to December 19
Tickets: $ 140 (usual discounts apply 50%)
Milan Teatro El Milagro 24 Between Lucerne Gen. Prim Colonia Juárez
Reports: 55 920338 5566 9423 and 
BENITO JUAREZ BEFORE
before Benito Juarez, Edgar Chias
Address Esteban Castellanos *
before
Benito Juarez is an original and pioneering project was designed with the purpose of entering into the national celebrations Independence and the Mexican Revolution. Our goal is to tour in major national and international circuits due to the Bicentennial, 2010, Brothers in Mexico with countries like Colombia, Chile, Bolivia and Argentina. The bicentenary is an event of global impact, as it celebrates independence and liberal movements in Latin American countries to the European imperial rule. Benito Juárez
before is a historical fiction. It recreated a defining moment in the life of Father of the Americas at 28 years. In 1834, a group of indigenous Loxicha Township, located in the southern mountains of Oaxaca, was detained along with his attorney. The cause, having protested against the abuses that they violated a high priest tithe.
In Benito Juárez before we humanize the bronze figure of Meritorious back, perhaps to better understand some passages that history tends to simplify the degree of lie or invite us to forget. Benito Juárez
before a bridge in time. We speak of 1834, a fictionalized time, a "then" convinced that by doing this we talk deeply. We talked about something happening today that happened yesterday and that will stop soon. Edgar Chias
Functions:
Saturdays and Sundays at 13:00 hrs
Season: 4 to December 19
Tickets: $ 140 (usual discounts apply 50%)
Milan Teatro El Milagro 24 Between Lucerne Gen. Prim Colonia Juárez
Reports: 55 920338 5566 9423 and
Is It Safe To Use A Delay Cream?
Billboard
Milan # 24 between Lucerne and Juárez Col. Gen. Prim Reports: 5566 9423 
Programming December 
Teatro El Milagro 
Milan # 24 between Lucerne and Juárez Col. Gen. Prim Reports: 5566 9423
Thursday, December 2, 2010
Can You Buy Ice Spiker Hair Gel In Toronto
Meeting of Researchers in Dance and Performance Art Biennial
Tuesday December 7, 2010 
9-18 pm Falkland Islands Cultural Center - 19 and 51 streets - La Plata -
Detailed program:
I Meeting of Researchers Program in Dance and Performance
Wednesday, December 1, 2010
Eagle Metal Scooter Wheels
Thumbnail of Canada arrives tomorrow to La Plata
Show 
01.12.2010 The work of BAM! Unpublished compose a mosaic of social, political and aesthetic, as reflected in the different views provided by participants of the Biennial. Among them, a miniature sculpture made in ice-presents the opening day-and wood carvings, small enough to be observed through magnifying glasses and special lenses.
For this sample works were sent from Germany, Argentina, Australia, Barbados, Belgium, Bosnia - Herzegovina, Brazil, Canada, South Korea, Croatia, Ecuador, Spain, Estonia, Finland, Germany, France, Greece, Hungary , India, Israel, Italy, Japan, Lithuania, Mexico, Norway, New Zealand, Peru, Poland, Czech Republic, Romania, United Kingdom, Serbia, Slovenia, Ukraine and Switzerland. turn, is displayed in the Maclear special section called "Zoom", dedicated to the art Inuit of Nunavik region of northern Quebec province. Inuit is defined as the Eskimos themselves Canadians, who have an important culture that is reflected in these works were first exhibited in our country.
"A twin We proposed to bring the finalists of the X Biennial and the integral of the Nunavik Zoom" had advance Jean-Jacques Lachapelle, director of the Salle Augustine Chenier (where he developed the Bam! Quebec), after opening there the 10 th edition of this international exhibition. And on the Zoom
on Nunavik, Jean-Jacques Lachapelle said that "the invitation to the Inuit is our current proposal to a question about contemporary art: can exist in the current art circle and the recognition of an art collective? That is, a regional community, working with other paradigms on art. It is perhaps a question without an answer. "
Source: http://www.elargentino.com/nota-116575-medios-122-La-Bienal-de-Arte-Miniatura-de-Canada-llega-manana-a-La-PLata.html
01.12.2010 The work of BAM! Unpublished compose a mosaic of social, political and aesthetic, as reflected in the different views provided by participants of the Biennial. Among them, a miniature sculpture made in ice-presents the opening day-and wood carvings, small enough to be observed through magnifying glasses and special lenses. For this sample works were sent from Germany, Argentina, Australia, Barbados, Belgium, Bosnia - Herzegovina, Brazil, Canada, South Korea, Croatia, Ecuador, Spain, Estonia, Finland, Germany, France, Greece, Hungary , India, Israel, Italy, Japan, Lithuania, Mexico, Norway, New Zealand, Peru, Poland, Czech Republic, Romania, United Kingdom, Serbia, Slovenia, Ukraine and Switzerland. turn, is displayed in the Maclear special section called "Zoom", dedicated to the art Inuit of Nunavik region of northern Quebec province. Inuit is defined as the Eskimos themselves Canadians, who have an important culture that is reflected in these works were first exhibited in our country.
"A twin We proposed to bring the finalists of the X Biennial and the integral of the Nunavik Zoom" had advance Jean-Jacques Lachapelle, director of the Salle Augustine Chenier (where he developed the Bam! Quebec), after opening there the 10 th edition of this international exhibition. And on the Zoom
on Nunavik, Jean-Jacques Lachapelle said that "the invitation to the Inuit is our current proposal to a question about contemporary art: can exist in the current art circle and the recognition of an art collective? That is, a regional community, working with other paradigms on art. It is perhaps a question without an answer. "
Source: http://www.elargentino.com/nota-116575-medios-122-La-Bienal-de-Arte-Miniatura-de-Canada-llega-manana-a-La-PLata.html
Where Can U Get Pink Fur
Emeraldance
Ramdom
Ramdom
01.12.2010 has always dabbled in events and performances that won local artists space to spread. Since all monkeys fourteen, one example is the Independent Music Outlet, which in 2010 will once again to host the Baggage and Parcel Shed, located at 18 and 71, also witnessed and shelter nights to remember and apply initiatives artistic, managed by the Group The Rift (the other organizer of the event.) Established and as a sort of classic to close the years, the Outlet will have two scenarios Collate function: one internal and one external, leading to the concourse of the street 72, which will enable a dynamic ideal ten bands that convened touch with continuity in the afternoon and evening of Sunday 5 November. 
Outlet Among the premises are, in addition to not repeat names year after year, the betting on emerging bands, those who already have a route that supports its hierarchy, but at a time, are a step to jump greater recognition. It is therefore interesting to attend, there are bands or artists who dominate the scene in the not too distant future. The day will begin wings 17 when the snake attacked the external scenario with crude and incendiary rock. Sets by each band ranging between 30 and 40 minutes, that's why the 17.40 ring inside the Shed the proposal songbook one of the best bands of the year: Dogs Orchestra. DNA Beatles, Wilco beyond contemporary sounds and unusual plus: three composers and singers of a similar and significant level. Matamil resume their personal and interesting pop external stage at 18.20 to make way for Mermel: psychedelic folk, from Syd Barrett, the Grandfather of Michael '70 and national rock foundation. The nondescript (but very good) rock as analog and electro Supers at 19.40, and 20.20 outside, Truck enters places Perez (who had to get off at the last moment), will liven up the evening.
At 21, The Cavern Quarter will bring the rock with ideas, to stir the air and the elegant pocket orchestra Brother Dog give her fine songs to 21.40.
At 22.20 arrive when the only band "foreign" from Longchamps, the irresistible Viva Elastic: neighborhood epic pop, dance, melancholy, including The Cure, Don Cornelius and the best of Indie.
Then, to close Milano (pictured), a project mented by Javier Beresiarte (formerly of the historic Las Canoplas) and Alfredo Calvo.
Lastly, but most importantly, everything will be accompanied by the record fair "largest city" and admission is free.
Source: http://www.elargentino.com/nota-116567-medios-122-Domingo-de-feria.html
Outlet Among the premises are, in addition to not repeat names year after year, the betting on emerging bands, those who already have a route that supports its hierarchy, but at a time, are a step to jump greater recognition. It is therefore interesting to attend, there are bands or artists who dominate the scene in the not too distant future. The day will begin wings 17 when the snake attacked the external scenario with crude and incendiary rock. Sets by each band ranging between 30 and 40 minutes, that's why the 17.40 ring inside the Shed the proposal songbook one of the best bands of the year: Dogs Orchestra. DNA Beatles, Wilco beyond contemporary sounds and unusual plus: three composers and singers of a similar and significant level. Matamil resume their personal and interesting pop external stage at 18.20 to make way for Mermel: psychedelic folk, from Syd Barrett, the Grandfather of Michael '70 and national rock foundation. The nondescript (but very good) rock as analog and electro Supers at 19.40, and 20.20 outside, Truck enters places Perez (who had to get off at the last moment), will liven up the evening. At 21, The Cavern Quarter will bring the rock with ideas, to stir the air and the elegant pocket orchestra Brother Dog give her fine songs to 21.40.
At 22.20 arrive when the only band "foreign" from Longchamps, the irresistible Viva Elastic: neighborhood epic pop, dance, melancholy, including The Cure, Don Cornelius and the best of Indie.
Then, to close Milano (pictured), a project mented by Javier Beresiarte (formerly of the historic Las Canoplas) and Alfredo Calvo.
Lastly, but most importantly, everything will be accompanied by the record fair "largest city" and admission is free.
Source: http://www.elargentino.com/nota-116567-medios-122-Domingo-de-feria.html
When Is The Next Nintendo Event
fair Sunday - Irish Dancing La Plata
Emeraldance - Dance Irish La Plata - Presenta:
A Christmas in Ireland 2
Production and Managing Director: Lisandro Rosales Emeraldance - Dance Irish La Plata - Presenta:
A Christmas in Ireland 2
Asturian Center of La Plata 
When the holidays come and began to dust off our Christmas decorations, Do we stop to think why we light our homes with colorful lights or why we decorate a tree with bright ornaments? Where does the tradition of mistletoe placed on the doors and when they will rise to those carols we usually hear in the movies? A Christmas in Ireland is a spectacle of dance, music and song that takes you back in time to nineteenth-century Ireland, when many of the customs that came to our days began to take shape, only to be borne by immigrants that arrived to American shores in search of new horizons. rhythm, joy and excitement to make Christmas in Ireland a unique show which spread to the entire family a renewed spirit of Christmas.
Reservations:
emeraldance@hotmail.com
(0221) 451-8885 Tickets
home free in the city of La Plata and surroundings.
Presales: $ 10
At Door: $ 15
http://www.facebook.com/l/0b5e14GBagYsd2QeZbqRy5PwfqQ; www.emeraldancelaplata.blogspot.com
www.facebook.com / emeraldance
Thursday, November 25, 2010
How To Set Write-protection In Usb Flash Drive
A raft of new castaways of Buenos Aires
MUSIC> THE HISTORIC BAR LA PERLA ROCK was reopened for
What yesterday was a pizzeria in whose bathroom Tanguito Once composed "The Raft", today is a cozy space where shows are scheduled Javier Martínez, Alejandro Medina, Ricardo Soulé, Claudia Puyó, Alejandro Del Prado and Miguel Cantilo.
MUSIC> THE HISTORIC BAR LA PERLA ROCK was reopened for
What yesterday was a pizzeria in whose bathroom Tanguito Once composed "The Raft", today is a cozy space where shows are scheduled Javier Martínez, Alejandro Medina, Ricardo Soulé, Claudia Puyó, Alejandro Del Prado and Miguel Cantilo.
One thing is the "bostalgia" and other historical revisionism applied to Argentine rock would the possible conclusion that Javier Martinez trying to say. It's Monday November 22-Day and the holiday music-gray, lonely and rainy is the opposite of color and sound. La Perla de Once, where Litto Nebbia and Tanguito-Ramses VII, to be exact-composed "The Raft", looks reframed. Much smaller and more sophisticated, of course, the pizzeria that mixed old bohemians, artists and students of philosophy when the rock was a granite in the sandbox of the Buenos Aires culture then. Where there was surf and dreams, now there is beer, sandwiches de miga, pizza, wine and delicious warm. Where Sandro came and paid breakfast The castaways were hungry and bored pockets, there is now a well-lit bar, decorated with vintage photos and a generous invitation by the new owners. Where there was rock 'camouflaged' and detuned guitars, there is now explicit and dedicated rock. Where were Tanguito, Martinez, Nebbia, Alejandro Medina, Miguel Abuelo and Moris are now some of them, two of the Manal-plus Puyó Claudia, Miguel Cantilo, Alejandro del Prado, Pipo Cipollatti, Rodolfo Garcia, Willy Quiroga and Ricardo Soulé . So goes happy to reopen the old bar rock, and so motivates the paradoxical reference Martínez, local here forever. "Bostalgia ... The nostalgia for me it manure, is written with 'b'. I am interested in looking forward and I will not enter into any move by bostalgia, but this cycle is not ... They did not make the nostalgia of the Pearl and all that. So I came and I agreed to participate, because it is a decadent thing to the dead soul, looking back. The eyes are not on the neck, are ahead ", says the man with thick glasses who once wrote" Avellaneda Blues, "walking at dawn on suburban routes. Drummer, singer and composer of one of the pioneers of Argentine rock groups, Martinez will be responsible for opening the cycle to the public tomorrow at 21.30, in the stronghold of Jujuy and Rivadavia, and repeated on Friday with his new trio: Maxi Delli Carpini Claudio Pallota guitar and on drums. "I'll play with my new training topics Manal, solo tracks and new tracks like 'Pappo's blues', 'The gold machine' and 'Positive', which are already on the internet before the record comes out, announces Martínez. Another of the founders Manal and gain experience mediating Pearl '60, Alejandro Medina, is also provided in the program with his Medinight Band, for Friday 17 and 24 December. And both chatting together in one of the tables background. "We talked, but we're not playing together," agree, compared to the hope that had arisen spontaneously among journalists and some other eternal follower. 
The artistic program by former Coven Almond and Rodolfo Garcia, also contains a Del Prado (Saturday 27), Puyo (Saturday, 4 December), Marianne (Saturday 11) and Soulé (Saturday 18). "One thing is 'bostalgia' Martinez insists," but no one can say that this is a place to play. This is a historic, symbolic, and I love all these shows are scheduled. It is good that the new owners have realized that this name is contained in the history of country rock, but redefined in a new stage. Mind you, I have nothing personal against nostalgia, all I'm saying is not practical. "The conversation between Medina and Martinez relaxed unless otherwise coupled surprise caused by the magic of the place: Willy Quiroga and Ricardo Soulé, long estranged, up playing together a version of "Wisdom Books" and an "Present." Gesture to dedicate the recently deceased Ruben Basoalto and open up a crack at a possible return of Vox Dei, if any drummer who could replace him. "We must always remember it with Ruben ... He was the one who made everything possible for Vox Dei is that it was for the history of rock ", is excited Willy. "This reopening is a wonderful opportunity to share this with these iconic musicians, even a little bit in this wonderful city that gave us the opportunity to be rock musicians, a strange thing in those days," says Soule, on reopening of the legendary space, while Del Prado makes his version of "The Roaring of Buenos Aires", the Rabid Fish recreates Puyó and Cipollati, provocative plays the "Himno a Sarmiento", just on the day of the Battle of Vuelta bound. "I do not play other songs, but this one I know" ironically from the microphone, his back to a portrait of Leopoldo Marechal. irrelevant. Long before, at least 40 years that Pearl became part of the triad-hive that next to the Cave and the Di Tella Institute set up the under-60s, now the bar area meeting was notable, literature and coffee between two writers who then (it) Bifurcaria for its aesthetic, world views and political ideals: Jorge Luis Borges and Leopoldo Marechal, with Macedonio Fernandez, who also has his picture in the pocket of Once-as liaison and host. It was, then, that air of "aesthetic vanguard" and meeting point which led, in addition to the conditions of inclusion and tolerance of the old masters, the arrival of the first rockers when about 4 in the morning left the cave and walked fifteen blocks south of the city. "The truth is that we came here because it was the only place open at that hour. Bah, it in fact had one open here in front, but we did not get even five balls. In addition, La Perla was full of female students of Philosophy, very nice pibas also gave us ball, "Martinez laughs. Manal
former pizzeria evokes then as a "four or five times" larger than today and a reverb effect "natural" that tempted to write some sketches of those who later would become rock classics in Castilian. "We had to go through a long hallway to the bathroom. It was narrow, but I had like 20 feet, and was old. In that hall there was a reverberation, and squatting Tanguito was put to play the viola and singing taking advantage of the reverb effect, which was the same as Elvis Presley wore when they recorded the tracks with a microphone and a speaker in the bathroom of the Sun Records . That was the reverberation chamber Tanguito Elvis and used it here (laughs). So I saw it, that's the photo. In fact, the only he was carrying a viola, and we were asking it to play a song each. If you go to any house and get into the bathroom, the tiles will give you a reverb like this, and this hall was tiled to the ceiling! "Recalls Martinez, who soon after managed to put a José Alberto Iglesias studio to record their only album of the poet truncated, the famous loop "in the bathroom of the Pearl of Once composed 'The Raft'." "I saw Tanguito composing 'The Raft'," reassures Martínez.
"And I knew the story by that time. Javier heard saying that while recording " Quiroga hooked. "In addition, we, the Vox Dei, we did not know La Perla. What happens is that we were in Quilmes, and assemble a Quilmes rock band and come to think of Capital at the time was crazy, it was like going to the moon on his knees (laughs). The first time we played was at the Theatre Capital Payró and then started singing in Castilian thanks to a recommendation of (Luis Alberto) Spinetta. We were not lucky enough to meet the Pearl, but knew that armed Sandro Cave near here, which was where we played bare-chested ... Madness, a kind of jolt. "" Of course, we do not know the Pearl because when we hit this town went to La Cueva de Sandro, who was Rivadavia, and only then hooked-tertiary Soulé. But this place was so significant that we were unaware until that moment. Until, with the turn of events, we begin to learn. When we marry Grace lived six blocks from here. It was 1970, and often came to visit Tanguito, Spinetta and Javier ... Let's say we met through your customers (laughs). Well, the Pearl represented a social pose different from what we were accustomed to, because down south we had a place to converge. First, because there were very few, and second because the rock had not nested, the nested rock in these districts of Buenos Aires neighborhoods that had been tango, and for some reason this happened to rock. "neuralgic point
epicenter of beat poetry" to the native ", the hippies and counterculture epochal solo bathroom where Nebbia detected something of sketching Tanguito "I am very sad and lonely here in this world of shit" and he completed the song-and then, along with "Just yesterday" and Pipo Lernoud Moris, sold 200 000 copies as part of the first single from Los Gatos in 1967 - The bar was a breeding ground for other great rock songs: "Tomato juice," for example. Or "The man left, which Tanguito-o the label that released the B-side ranked as their first single, the A was "Golden Princess" -. Over the years, Pearl became a myth, until the revisionism of recent years ended up becoming the site of Cultural Interest in 1994, 13 years later, legitimizing unveil a plaque in honor of "The Raft." "I wrote here most of the themes of Manal-Martinez recalls, without 'bostalgia'. Here and in the streets, because my music was always good street. With Tango and others were sending us to the bottom of everything and did a little guitar tracks, over coffee milk. We went with a notebook in his pocket scoring lyrics and chords, and the only thing was we went out to buy croissants in front, because they were cheaper and richer than those here. Then, when day was done, we took the train and went to Home, the home of Tango. "
Source: http://www.pagina12.com.ar/diario/suplementos/espectaculos/3-20036 -2010-11-25.html
The artistic program by former Coven Almond and Rodolfo Garcia, also contains a Del Prado (Saturday 27), Puyo (Saturday, 4 December), Marianne (Saturday 11) and Soulé (Saturday 18). "One thing is 'bostalgia' Martinez insists," but no one can say that this is a place to play. This is a historic, symbolic, and I love all these shows are scheduled. It is good that the new owners have realized that this name is contained in the history of country rock, but redefined in a new stage. Mind you, I have nothing personal against nostalgia, all I'm saying is not practical. "The conversation between Medina and Martinez relaxed unless otherwise coupled surprise caused by the magic of the place: Willy Quiroga and Ricardo Soulé, long estranged, up playing together a version of "Wisdom Books" and an "Present." Gesture to dedicate the recently deceased Ruben Basoalto and open up a crack at a possible return of Vox Dei, if any drummer who could replace him. "We must always remember it with Ruben ... He was the one who made everything possible for Vox Dei is that it was for the history of rock ", is excited Willy. "This reopening is a wonderful opportunity to share this with these iconic musicians, even a little bit in this wonderful city that gave us the opportunity to be rock musicians, a strange thing in those days," says Soule, on reopening of the legendary space, while Del Prado makes his version of "The Roaring of Buenos Aires", the Rabid Fish recreates Puyó and Cipollati, provocative plays the "Himno a Sarmiento", just on the day of the Battle of Vuelta bound. "I do not play other songs, but this one I know" ironically from the microphone, his back to a portrait of Leopoldo Marechal. irrelevant. Long before, at least 40 years that Pearl became part of the triad-hive that next to the Cave and the Di Tella Institute set up the under-60s, now the bar area meeting was notable, literature and coffee between two writers who then (it) Bifurcaria for its aesthetic, world views and political ideals: Jorge Luis Borges and Leopoldo Marechal, with Macedonio Fernandez, who also has his picture in the pocket of Once-as liaison and host. It was, then, that air of "aesthetic vanguard" and meeting point which led, in addition to the conditions of inclusion and tolerance of the old masters, the arrival of the first rockers when about 4 in the morning left the cave and walked fifteen blocks south of the city. "The truth is that we came here because it was the only place open at that hour. Bah, it in fact had one open here in front, but we did not get even five balls. In addition, La Perla was full of female students of Philosophy, very nice pibas also gave us ball, "Martinez laughs. Manal former pizzeria evokes then as a "four or five times" larger than today and a reverb effect "natural" that tempted to write some sketches of those who later would become rock classics in Castilian. "We had to go through a long hallway to the bathroom. It was narrow, but I had like 20 feet, and was old. In that hall there was a reverberation, and squatting Tanguito was put to play the viola and singing taking advantage of the reverb effect, which was the same as Elvis Presley wore when they recorded the tracks with a microphone and a speaker in the bathroom of the Sun Records . That was the reverberation chamber Tanguito Elvis and used it here (laughs). So I saw it, that's the photo. In fact, the only he was carrying a viola, and we were asking it to play a song each. If you go to any house and get into the bathroom, the tiles will give you a reverb like this, and this hall was tiled to the ceiling! "Recalls Martinez, who soon after managed to put a José Alberto Iglesias studio to record their only album of the poet truncated, the famous loop "in the bathroom of the Pearl of Once composed 'The Raft'." "I saw Tanguito composing 'The Raft'," reassures Martínez.
"And I knew the story by that time. Javier heard saying that while recording " Quiroga hooked. "In addition, we, the Vox Dei, we did not know La Perla. What happens is that we were in Quilmes, and assemble a Quilmes rock band and come to think of Capital at the time was crazy, it was like going to the moon on his knees (laughs). The first time we played was at the Theatre Capital Payró and then started singing in Castilian thanks to a recommendation of (Luis Alberto) Spinetta. We were not lucky enough to meet the Pearl, but knew that armed Sandro Cave near here, which was where we played bare-chested ... Madness, a kind of jolt. "" Of course, we do not know the Pearl because when we hit this town went to La Cueva de Sandro, who was Rivadavia, and only then hooked-tertiary Soulé. But this place was so significant that we were unaware until that moment. Until, with the turn of events, we begin to learn. When we marry Grace lived six blocks from here. It was 1970, and often came to visit Tanguito, Spinetta and Javier ... Let's say we met through your customers (laughs). Well, the Pearl represented a social pose different from what we were accustomed to, because down south we had a place to converge. First, because there were very few, and second because the rock had not nested, the nested rock in these districts of Buenos Aires neighborhoods that had been tango, and for some reason this happened to rock. "neuralgic point
epicenter of beat poetry" to the native ", the hippies and counterculture epochal solo bathroom where Nebbia detected something of sketching Tanguito "I am very sad and lonely here in this world of shit" and he completed the song-and then, along with "Just yesterday" and Pipo Lernoud Moris, sold 200 000 copies as part of the first single from Los Gatos in 1967 - The bar was a breeding ground for other great rock songs: "Tomato juice," for example. Or "The man left, which Tanguito-o the label that released the B-side ranked as their first single, the A was "Golden Princess" -. Over the years, Pearl became a myth, until the revisionism of recent years ended up becoming the site of Cultural Interest in 1994, 13 years later, legitimizing unveil a plaque in honor of "The Raft." "I wrote here most of the themes of Manal-Martinez recalls, without 'bostalgia'. Here and in the streets, because my music was always good street. With Tango and others were sending us to the bottom of everything and did a little guitar tracks, over coffee milk. We went with a notebook in his pocket scoring lyrics and chords, and the only thing was we went out to buy croissants in front, because they were cheaper and richer than those here. Then, when day was done, we took the train and went to Home, the home of Tango. "
Source: http://www.pagina12.com.ar/diario/suplementos/espectaculos/3-20036 -2010-11-25.html
Where Can I Read Shotacon?
Theater
"revolution have a look ..."
Thursday November 25, 2010
"revolution have a look ..."
Thursday November 25, 2010
ADULT THEATRE Thursday 25
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B Friday 26
Kisses on the forehead. Mercedes, a woman of seventy and nine year-old widow and fear of loneliness falls in love with Sebastian, a writer fifty years her junior. She will feel trapped in that body crumpled and slow that allows you to live this love should be lived. However, he clings to his affections until he decides the distance of his young protege. Three years later, meet again ...
Cast: Paula Lopes, Gladys Cadelli, Carmen Baistrocchi, Gaston Beltramini, Andrea Roma and Damian Romero. Direction and staging: Solange Rybak
21hs. Admission $ 20.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Saturday 27
happened in Casuarinas. Group express Theater UP Theater Group No. 33. Professor Michael Di Benedetto.
21.30hs. Input a non-perishable food to soup kitchens of Villa Montoro
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Sunday 28
revolution have a look. Urban Dance Company. Address Jorge Caballero. Martin Wizard Palomino. Dancers Rocio Balmaceda, Nazareno Calfulef, Cecilia Gauna, Martin Palomino, Eva Magid, Celeste Mattia, Paola Molina, Ricco Gastón Andrés Stazzona. Musician: Claudio D'Amico. Artist: Fernanda De Francesco. Narrator: Silvia Luna Leiva. Art and Objects: Maria Paula Padegimas. Choreography: Company Urban Dance, Jorge Caballero. Research texts and original texts: Silvia Luna Leiva, Claudio Damico and Jorge Caballero. Costume: Rocío Balmaceda.
The search time ask us what we want to be, tiger, or the fierceness of his lineage. The blood begins to make that dark ... we, we are wondering what it means to us. Perhaps a blood flying disheveled with a fury like cry. Yes, that's a joy intended blood before, to walk the terrible question: would die to have a new name?.
20hs. Admission $ 25.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Lately Sunday 28
up. Roxana Aramburú
first prize on "dramaturgy and Human Rights organized by the Ministry of Culture and Education and the Human Rights Department of the MLP 2009
recently defeated biting its tail, turns around the body that has not been buried, the necessity of facing the death rituals.
They have no name, is a security guard and a maid. Working on a site that is possibly a museum. The time is yesterday and today, bound in the continuity of the commission and omission. A "doctor" will sum work: it can be a doctor, a butcher, a collector, a tomb robber, a naturalist, a serial murderer, a trader either. The photographer, a pervert, an oligarch, a Salesian priest, a trafficker in women, a real estate agent. In anthropological safari, want to crush flesh and spirit on photo paper, display parts, transforming the subject into an object. Among so much degradation, man, woman, show and hide, lost and recovered, struggle and fatigue, sleep and wake up, rise up and submit. Survive.
recently defeated a tribute to the prisoner of the museum and so many others who remained in the Martin Garcia island in the sugar plantations, as domestic servants in wealthy families, who were paraded cultural events, displayed in human zoos.
Today, it is today.
19hs. Free admission
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
CHILDREN THEATRE Saturday 27
Princess of nature, an ecological history of Facundo Velez. The princess of nature by all means try to raise awareness and save the inhabitants of the kingdom of Garbari save to achieve the pollution generated by an evil spirit. General Directorate Maria Pascual. Facundo address Vélez. Management Assistance Facundo Lublin. Technical Assistant (Sound) Facundo Velez. Technical Assistant (Lights) Celeste Sanchez. Actors and Actresses
Roxana Lujan, Gonzalo Fantoni, Facundo Lublin and Mariana Morend. Facundo authorship Velez. Maita costumes Ortelli. Guadalupe Vivani drawings. Facundo production Vélez, María Pascual, Production Assistant Group YQE Emilio Mosconi. Sets and Props
YQE
Group 16hs. Admission $ 10.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Sunday 28
Tommy & Maggie and Climate Magic De Maria Pascual.
In a world where magic is a way of disappearing. Where dreams and hope and have no room. In a dark place where an evil count named Tifeo this charge of do away with all but all those little lights that made us feel alive, which filled us with hope and made us believe that the magic was there waiting for us ... That's where they are, Maggie and Tommy, two friends who, with magic alert help, tried to change the world ... Directorate General, María Pascual, Address, Facundo Vélez. Assistant director, Emilio Mosconi, Technical Assistant (Sound) Celeste Sanchez, Assistant Coach (Lights) Emilio Mosconi. Actors and Actresses: Gonzalo Fantoni., María Pascual, Facundo Lublin, Carolina Gonzalez., Melody Palermo, Facundo Vélez.
Authorship: María Pascual; Dressing: Maita Ortelli. Puppets: Carlos Franchimont. Drawings: Guadalupe Vivani. Facundo production Vélez, María Pascual, Production Assistant Group YQE Emilio Mosconi. Sets and Props Romina Galeazzi,
YQE
Group 16hs. Admission $ 10.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Sunday 28
The Tick. (Comic Child). Painted by the group and Item.
Cast: Cesar Benitez, Jose Duhart, Magali Ventimiglia, Alejandro Corti and Ana Alba
Original Music: Alejandro Corti, Original Idea: Cesar Benitez. Writer: Cesar Benitez and Ana Alba
Scenario: Cesar Benitez and Ana Alba. Address: Ana Alba
Paint Sets and costumes and Punto y Esteban Benitez. Design and production of wigs and makeup: Yanina Engroba Technical assistance: Lucas Delprato
In a quiet corner of our city ... The arch of the story: the flamboyant wigs designer Francesco Tick plans for world domination and establish an era governed by fashion cult. To do this, make dog hair wigs in placing a neurotransmitter to dominate the minds. But the disappearance of four-legged canine dogs commonly called, put on alert and keeps people in suspense city.
Meanwhile, in another part of town, our local superhero, the Inspector tries to solve the case and becomes an obstacle to Francesco.
the other hand, our star of the song and his trusty dog \u200b\u200bMarilín Chola unwittingly help to get rid of the Inspector Francesco
... Can the Inspector solve the case? ... "Francesco tick away with it?
16.30hs. Admission $ 15.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Source: http://laplatacultura.blogspot.com/2010/11/teatro-para-adultos-semana-del-23-al-30.html
Rohaihu. Action: Lourdes Acevedo, Virginia Barisson, Carolina Desojo, Paula Asprella, Veronica Lorenzo, Lucia Trot, Laura Abayu, Lorena Ascani, Luciana Cucuccio, Constance Carbone. Andrea Arias assistance. Playwright / Director: Gustavo Delfino, Horacio Rafart 
Rohaihu, which in Guarani language means "I love you", tells the story of several political prisoners through the story of an old soap opera "Orange Skin" interwoven links of solidarity and Love to resist oppression and plan their escape.
21hs. Admission $ 15. 
Rohaihu, which in Guarani language means "I love you", tells the story of several political prisoners through the story of an old soap opera "Orange Skin" interwoven links of solidarity and Love to resist oppression and plan their escape. Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B Friday 26
Kisses on the forehead. Mercedes, a woman of seventy and nine year-old widow and fear of loneliness falls in love with Sebastian, a writer fifty years her junior. She will feel trapped in that body crumpled and slow that allows you to live this love should be lived. However, he clings to his affections until he decides the distance of his young protege. Three years later, meet again ...
Cast: Paula Lopes, Gladys Cadelli, Carmen Baistrocchi, Gaston Beltramini, Andrea Roma and Damian Romero. Direction and staging: Solange Rybak
21hs. Admission $ 20.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Saturday 27
happened in Casuarinas. Group express Theater UP Theater Group No. 33. Professor Michael Di Benedetto.
21.30hs. Input a non-perishable food to soup kitchens of Villa Montoro
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Sunday 28
revolution have a look. Urban Dance Company. Address Jorge Caballero. Martin Wizard Palomino. Dancers Rocio Balmaceda, Nazareno Calfulef, Cecilia Gauna, Martin Palomino, Eva Magid, Celeste Mattia, Paola Molina, Ricco Gastón Andrés Stazzona. Musician: Claudio D'Amico. Artist: Fernanda De Francesco. Narrator: Silvia Luna Leiva. Art and Objects: Maria Paula Padegimas. Choreography: Company Urban Dance, Jorge Caballero. Research texts and original texts: Silvia Luna Leiva, Claudio Damico and Jorge Caballero. Costume: Rocío Balmaceda.
The search time ask us what we want to be, tiger, or the fierceness of his lineage. The blood begins to make that dark ... we, we are wondering what it means to us. Perhaps a blood flying disheveled with a fury like cry. Yes, that's a joy intended blood before, to walk the terrible question: would die to have a new name?.
20hs. Admission $ 25.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Lately Sunday 28
up. Roxana Aramburú
first prize on "dramaturgy and Human Rights organized by the Ministry of Culture and Education and the Human Rights Department of the MLP 2009
recently defeated biting its tail, turns around the body that has not been buried, the necessity of facing the death rituals.
They have no name, is a security guard and a maid. Working on a site that is possibly a museum. The time is yesterday and today, bound in the continuity of the commission and omission. A "doctor" will sum work: it can be a doctor, a butcher, a collector, a tomb robber, a naturalist, a serial murderer, a trader either. The photographer, a pervert, an oligarch, a Salesian priest, a trafficker in women, a real estate agent. In anthropological safari, want to crush flesh and spirit on photo paper, display parts, transforming the subject into an object. Among so much degradation, man, woman, show and hide, lost and recovered, struggle and fatigue, sleep and wake up, rise up and submit. Survive.
recently defeated a tribute to the prisoner of the museum and so many others who remained in the Martin Garcia island in the sugar plantations, as domestic servants in wealthy families, who were paraded cultural events, displayed in human zoos.
Today, it is today.
19hs. Free admission
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
CHILDREN THEATRE Saturday 27
Princess of nature, an ecological history of Facundo Velez. The princess of nature by all means try to raise awareness and save the inhabitants of the kingdom of Garbari save to achieve the pollution generated by an evil spirit. General Directorate Maria Pascual. Facundo address Vélez. Management Assistance Facundo Lublin. Technical Assistant (Sound) Facundo Velez. Technical Assistant (Lights) Celeste Sanchez. Actors and Actresses
Roxana Lujan, Gonzalo Fantoni, Facundo Lublin and Mariana Morend. Facundo authorship Velez. Maita costumes Ortelli. Guadalupe Vivani drawings. Facundo production Vélez, María Pascual, Production Assistant Group YQE Emilio Mosconi. Sets and Props
YQE
Group 16hs. Admission $ 10.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Sunday 28
Tommy & Maggie and Climate Magic De Maria Pascual.
In a world where magic is a way of disappearing. Where dreams and hope and have no room. In a dark place where an evil count named Tifeo this charge of do away with all but all those little lights that made us feel alive, which filled us with hope and made us believe that the magic was there waiting for us ... That's where they are, Maggie and Tommy, two friends who, with magic alert help, tried to change the world ... Directorate General, María Pascual, Address, Facundo Vélez. Assistant director, Emilio Mosconi, Technical Assistant (Sound) Celeste Sanchez, Assistant Coach (Lights) Emilio Mosconi. Actors and Actresses: Gonzalo Fantoni., María Pascual, Facundo Lublin, Carolina Gonzalez., Melody Palermo, Facundo Vélez.
Authorship: María Pascual; Dressing: Maita Ortelli. Puppets: Carlos Franchimont. Drawings: Guadalupe Vivani. Facundo production Vélez, María Pascual, Production Assistant Group YQE Emilio Mosconi. Sets and Props Romina Galeazzi,
YQE
Group 16hs. Admission $ 10.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room A
Sunday 28
The Tick. (Comic Child). Painted by the group and Item.
Cast: Cesar Benitez, Jose Duhart, Magali Ventimiglia, Alejandro Corti and Ana Alba
Original Music: Alejandro Corti, Original Idea: Cesar Benitez. Writer: Cesar Benitez and Ana Alba
Scenario: Cesar Benitez and Ana Alba. Address: Ana Alba
Paint Sets and costumes and Punto y Esteban Benitez. Design and production of wigs and makeup: Yanina Engroba Technical assistance: Lucas Delprato
In a quiet corner of our city ... The arch of the story: the flamboyant wigs designer Francesco Tick plans for world domination and establish an era governed by fashion cult. To do this, make dog hair wigs in placing a neurotransmitter to dominate the minds. But the disappearance of four-legged canine dogs commonly called, put on alert and keeps people in suspense city.
Meanwhile, in another part of town, our local superhero, the Inspector tries to solve the case and becomes an obstacle to Francesco.
the other hand, our star of the song and his trusty dog \u200b\u200bMarilín Chola unwittingly help to get rid of the Inspector Francesco
... Can the Inspector solve the case? ... "Francesco tick away with it?
16.30hs. Admission $ 15.
Pasaje Dardo Rocha 50 (6 and 7) 2 nd floor Conference Room B
Source: http://laplatacultura.blogspot.com/2010/11/teatro-para-adultos-semana-del-23-al-30.html
Saturday, November 20, 2010
Heather Harmon,retired
EMERGING THEATRE READING CYCLE 2010 Worlds
¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ ARE WAITING! !!!!!!!
November 3 Reading Before Leaving
Varas De Aida Andrade Director: Aureliano Castillo León
Cast: Tania Angeles
Begum
Oscar Ochoa Gerardo Olivares
Reading 10 November. Gastritis anatomy
Text: Itzel Lara
Address: Daniel Alberto Victoria
Cast:
Maricela Cisneros Manuel Peñalosa
Daniela Flores Aguilar
Nallely
Reading on 17 November.
The Babinski sign and address
Text: Alejandro García
Dweller: Rodrigo Espinosa
Twin 1: Daniel Meza Junco
Twin 2: Gabriel Soberón
Patient: Valentina Martínez Gallardo Marcín
Psychiatrist: Setting Norzagaray
Marie: Maricela Peñalosa
Dimensions : Gisela Garcia Trigos
Music: Fernando Lomeli
Reading November 24
Text
Another Electra and directed by Edith Ibarra
The mother, Rosa Marta Fernandez
Electra: Pilar Padilla
Voices: Carmen Herrera
Inés López de Arriaga Diana Laura Otero
Reading
December 1
JOB (Complaint in three voices to be silent and nothing)
Text: Enrique Olmos Ita
Address: Daniela Flores Serrano
Cast: Sheila Flores
Rodolfo Nevarez Jorge León
Voiceover:
Liliana Guerrero José Juan Cabello
Advice on space: Daniel R. Primo
Light: Martha Benitez.
Wednesday 20:00 hrs. FREE ENTRY
Teatro El Milagro Milan # 24 between Lucerne and General Prim
Col. Juárez
November 3 Reading Before Leaving
Varas De Aida Andrade Director: Aureliano Castillo León
Cast: Tania Angeles
Begum
Oscar Ochoa Gerardo Olivares
Reading 10 November. Gastritis anatomy
Text: Itzel Lara
Address: Daniel Alberto Victoria
Cast:
Maricela Cisneros Manuel Peñalosa
Daniela Flores Aguilar
Nallely
Reading on 17 November.
The Babinski sign and address
Text: Alejandro García
Dweller: Rodrigo Espinosa
Twin 1: Daniel Meza Junco
Twin 2: Gabriel Soberón
Patient: Valentina Martínez Gallardo Marcín
Psychiatrist: Setting Norzagaray
Marie: Maricela Peñalosa
Dimensions : Gisela Garcia Trigos
Music: Fernando Lomeli
Reading November 24
Text
Another Electra and directed by Edith Ibarra
The mother, Rosa Marta Fernandez
Electra: Pilar Padilla
Voices: Carmen Herrera
Inés López de Arriaga Diana Laura Otero
Reading
December 1
JOB (Complaint in three voices to be silent and nothing)
Text: Enrique Olmos Ita
Address: Daniela Flores Serrano
Cast: Sheila Flores
Rodolfo Nevarez Jorge León
Voiceover:
Liliana Guerrero José Juan Cabello
Advice on space: Daniel R. Primo
Light: Martha Benitez.
Wednesday 20:00 hrs. FREE ENTRY
Teatro El Milagro Milan # 24 between Lucerne and General Prim
Col. Juárez
Friday, November 19, 2010
How To Get Shiny Pokemon In Heartgold
Pasaje Dardo Rocha La Plata celebrates its 128 th anniversary
The capital Buenos Aires is now serving 128 years. It was founded Masonic influence and allowed to pacify the country after decades of civil war. Past and Present of La Plata.
La Plata today celebrates the 128 th anniversary of its foundation, a fact which will be celebrated with various activities. And no wonder: explore the history of our city can rebuild a significant part of Argentina's history.
"We have given the new capital the name of the great river that bathes it, and deposited under the stone, hoping to stay here forever buried, rivalries, hatreds, resentments, and all the passions that have delayed so long the prosperity of our country "were the words invoked by Dardo Rocha to begin the story of a city that would be during the nineteenth and twentieth century as the hub of the province. The capital Buenos Aires is now serving 128 years. It was founded Masonic influence and allowed to pacify the country after decades of civil war. Past and Present of La Plata.
La Plata today celebrates the 128 th anniversary of its foundation, a fact which will be celebrated with various activities. And no wonder: explore the history of our city can rebuild a significant part of Argentina's history.
1880, the uprising had been defeated Buenos Aires, an issue which led to the federalization of Buenos Aires and the need for a new political and administrative center for the province. The influence of Masonic circles or the creation of underground tunnels have been some of the hundreds of myths built since then. "The strange thing that the founders would not have been Masons, and who were the majority at that time, "says Fernando Barba Hoy, professor of the Chair of History of Argentina in the Faculty of Humanities, La Plata. Ensenada, Quilmes and San Isidro was the first options that were circulated, but were soon dismissed. The final decision was due to the intention of trying to compete, from the maritime trade, with the port of Buenos Aires. "The great mistake of Dardo Rocha was thinking I was going to make a new Buenos Aires," he says Barba. 
edilicios and urban strokes made the city an innovation of the period, equating it with cities like Washington. The architectural perspective, conceived by architect Pedro Benoit, characterized by the thought guidance tributary of the French Revolution, which was framed as a paradigm of urban planning from the late nineteenth century. Immigration was cultural sustenance from the early years, while the census of 1884 showed that 82% of the population were foreigners and only 12% had been born on national soil. Most were from Spain, Italy, France, Portugal, Austria and England.
platense The twentieth century is marked by ups and downs, and major events that occurred as the foundation of the Universidad Nacional de La Plata (1905), and the tragic years of military dictatorships.
"The UNLP became a major center of attraction," he said Barba, plotting with immense simplicity which meant that institution for the city. Political scientists and other aspects were the product of the house of higher learning, founded by Joaquín V. González. The year 1925
gratified to town with the opening of one of the largest distilleries in the area, built in full oilfield development Fiscales (YPF), which by then was in charge of Enrique Mosconi. Although the industrial center is currently located within the municipality Ensenada, then a commune La Plata was responsible for those territories. Military dictatorships were rife in the country since 1930. The region was, over the years, the most affected by coups, given the large number of university students and workers in the region.
The '80s and '90s were years in which the city could not skip the national fate, being affected by the different political and institutional crisis faced by the country.
Reconstructing the history of the city is not only an anecdotal journey, it can recognize the fragments that gave identity to several generations, reflecting the positive and negative, in a culture that, until now, kept alive the events of the past.
Source: http://www.diariohoy.net/accion-verNota-id-113873
edilicios and urban strokes made the city an innovation of the period, equating it with cities like Washington. The architectural perspective, conceived by architect Pedro Benoit, characterized by the thought guidance tributary of the French Revolution, which was framed as a paradigm of urban planning from the late nineteenth century. Immigration was cultural sustenance from the early years, while the census of 1884 showed that 82% of the population were foreigners and only 12% had been born on national soil. Most were from Spain, Italy, France, Portugal, Austria and England. platense The twentieth century is marked by ups and downs, and major events that occurred as the foundation of the Universidad Nacional de La Plata (1905), and the tragic years of military dictatorships.
"The UNLP became a major center of attraction," he said Barba, plotting with immense simplicity which meant that institution for the city. Political scientists and other aspects were the product of the house of higher learning, founded by Joaquín V. González. The year 1925
gratified to town with the opening of one of the largest distilleries in the area, built in full oilfield development Fiscales (YPF), which by then was in charge of Enrique Mosconi. Although the industrial center is currently located within the municipality Ensenada, then a commune La Plata was responsible for those territories. Military dictatorships were rife in the country since 1930. The region was, over the years, the most affected by coups, given the large number of university students and workers in the region.
The '80s and '90s were years in which the city could not skip the national fate, being affected by the different political and institutional crisis faced by the country.
Reconstructing the history of the city is not only an anecdotal journey, it can recognize the fragments that gave identity to several generations, reflecting the positive and negative, in a culture that, until now, kept alive the events of the past.
Source: http://www.diariohoy.net/accion-verNota-id-113873
Thursday, November 18, 2010
Dune Buggy, Craigslist
great for incomplete beings
Fantastic Worlds for incomplete beings
> Collective creation
The war lives, breathes murder and hostility. Human bodies are shredded and minds crumble. Lena is a girl who lost her brother. Now the madness enters his house and his mother breathed. Lena can not understand the situation surrounding it and desperate attempts to flee in search of his brother. He took refuge in the forest, and this is where it is swallowed by a giant mouth that lead to unknown places.
Cast:
PUPPETEER: Fernando Reyes, Christian Puig, Guillermo Amador, Denis González, Alejandra Reyes.
LIVE MUSIC AND COMPOSITION: Jorge Medina
SCENOGRAPHY PAINTINGS: Sources Kryxán
LIGHTING DESIGN: Leonardo Solorzano
ADVICE ON HANDLING: Alejandro Benitez
ANIMATION: flash in the pan
FX VIDEO: Fix CINEAMANO
Communications: Arturo Lopez "Pius"
Thursday 20:30 hrs Season: 11 November 16 December
Tickets: $ 100 (usual discounts apply 50%)
Milan Teatro El Milagro 24 Between Lucerne and General Prim Colonia Juárez
Reports: 55 920338 5566 9423 and 
Fantastic Worlds for incomplete beings > Collective creation
The war lives, breathes murder and hostility. Human bodies are shredded and minds crumble. Lena is a girl who lost her brother. Now the madness enters his house and his mother breathed. Lena can not understand the situation surrounding it and desperate attempts to flee in search of his brother. He took refuge in the forest, and this is where it is swallowed by a giant mouth that lead to unknown places.
Cast:
PUPPETEER: Fernando Reyes, Christian Puig, Guillermo Amador, Denis González, Alejandra Reyes.
LIVE MUSIC AND COMPOSITION: Jorge Medina
SCENOGRAPHY PAINTINGS: Sources Kryxán
LIGHTING DESIGN: Leonardo Solorzano
ADVICE ON HANDLING: Alejandro Benitez
ANIMATION: flash in the pan
FX VIDEO: Fix CINEAMANO
Communications: Arturo Lopez "Pius"
Thursday 20:30 hrs Season: 11 November 16 December
Tickets: $ 100 (usual discounts apply 50%)
Milan Teatro El Milagro 24 Between Lucerne and General Prim Colonia Juárez
Reports: 55 920338 5566 9423 and
Tuesday, November 16, 2010
Tomtom Free Map Updates Uk
The Collective creation
Model Management Katia Castillo *
The performance project The model is inspired by a text by Paul Auster called " The Music of Chance. " Started as a laboratory developed stage where the performers, from their experiences, a fiction about the space we inhabit: the City of Mexico.
The model makes a fiction of the fragmented city to speak of the everyday, recreates forms, perspectives, and forgotten places nonexistent. Trace street tours, apartments, bars, windows, plants, shoulders, traffic lights, hospitals, places where people can pose challenge them and to imagine what lies behind, between and in front of all this?
* Fellow 2009-2010 Young Artists Program of the National Fund for Culture and the Arts
Author: Collective creation
Director: Katia Castillo *
Cast: Nadia Lartigue
Champo
Marcelino Tomas Ivan Ontiveros
Alzogaray
Ruth Mendoza Juan Pablo Marquez
Functions:
Tuesday at 20:30 hrs
Season: 2 to 30 November.
Tickets: $ 100 (usual discounts apply 50%)
Reports:
9423 and 55 920 338 5566
Monday, November 15, 2010
Will Hematoma Breast Biopsy Go Away
Critique of "Proportions EP" Julious Marvesol in AcidJazzHispano.com (for Santiago Tadeo)
A Julious Marvesol knew him, especially as the duo VisionespanoramiK , with Ms. AlKantarilla , a more hip hop than anything else. He had also served as instrumental to various MCs and was responsible seal Egami Recordings a microcosm inhabited by beings of "Uncontrolled Mental Breakthrough" that feed on alternative and experimental hip hop. However, EP Proportions we hear is the electronic side, which had always been part of his role as producer-composer, but until then, had not presented with the same regularity. Yes, this predilection for samples ,...[...] CONTINUE READING HERE 
A Julious Marvesol knew him, especially as the duo VisionespanoramiK , with Ms. AlKantarilla , a more hip hop than anything else. He had also served as instrumental to various MCs and was responsible seal Egami Recordings a microcosm inhabited by beings of "Uncontrolled Mental Breakthrough" that feed on alternative and experimental hip hop. However, EP Proportions we hear is the electronic side, which had always been part of his role as producer-composer, but until then, had not presented with the same regularity. Yes, this predilection for samples ,...[...] CONTINUE READING HERE Sunday, November 14, 2010
Scott Kay Artiste Bridal Collection
A night to remember Tom Jobim and Vinicius
11/13/2010 / Brazilian singer arrives this Sunday at Old Town artists are
that their peers should always pay taxes or at least keep them in mind when to turn to music, because they are real examples, not only for his talent, but also how they decided to embrace the music. No doubt that's what happens with Vinicius de Moraes and Tom Jobim, key figures when referring to the bossa nova. Thirty years Vinicius's death comes for the first time to La Plata's versatile Brazilian singer Ana Paula da Silva to offer a show dedicated to these two references. And be doubly Sunday November 14 2130 and 23 in Ciudad Vieja (17 and 71).
Paula da Silva was accompanied by a trio of Rogério Botter Maio, bassist, composer and arranger who has played alongside great artists such as Gerry Mulligan, Nana Vasconcelos, Lionel Hampton, Paquito D'Rivera, among many other jazz greats and Brazilian music. Rogério is also a renowned composer who has released several albums with great reviews from critics. The singer will classics as "Aguas de Março." "Eu sei that vou love you", "Chega de Saudade" and other great songs of this duo that have already been established as a classic of twentieth century music. This tribute preserves the spirit of the songs but also presents the inspired and unique vision of this new breed of talent in the music of Brazil.
musicians. Rogério Botter Maio bassist (acoustic and electric), composer, creator and producer. Born and raised in São Paulo, Brazil, Rogério lived in Europe and the United States between 1987 and 1999. In Rome in 1989 working as a musician in the movie "God Father III." Recorded with Gerry Mulligan, Nana Vasconcelos and Brazilian pianist Dom Salvador, Manfredo Fest, Jovino Santos Neto and Weber Iago Nelson Ayres and other artists. He won a scholarship to the Berklee College of Music and moved to Boston in 1991 to study for one year. In New York (1992 -1997) worked with Paquito d'Rivera, Lionel Hampton, Claudio Roditi, Leny Andrade, Hendrik Meurkens and many more great music. Fábio 11/13/2010 / Brazilian singer arrives this Sunday at Old Town artists are
that their peers should always pay taxes or at least keep them in mind when to turn to music, because they are real examples, not only for his talent, but also how they decided to embrace the music. No doubt that's what happens with Vinicius de Moraes and Tom Jobim, key figures when referring to the bossa nova. Thirty years Vinicius's death comes for the first time to La Plata's versatile Brazilian singer Ana Paula da Silva to offer a show dedicated to these two references. And be doubly Sunday November 14 2130 and 23 in Ciudad Vieja (17 and 71).
Paula da Silva was accompanied by a trio of Rogério Botter Maio, bassist, composer and arranger who has played alongside great artists such as Gerry Mulligan, Nana Vasconcelos, Lionel Hampton, Paquito D'Rivera, among many other jazz greats and Brazilian music. Rogério is also a renowned composer who has released several albums with great reviews from critics. The singer will classics as "Aguas de Março." "Eu sei that vou love you", "Chega de Saudade" and other great songs of this duo that have already been established as a classic of twentieth century music. This tribute preserves the spirit of the songs but also presents the inspired and unique vision of this new breed of talent in the music of Brazil.
Leandro plays the piano. In 1997 began his studies at the Universidade Livre de Tom Jobim Music, where he studied piano, harmony, arrangements and orchestration. In 2004 Fabio Leandro joins the Tom Jobim Orchestra, conducted by Maestro Roberto Sion. During this period the orchestra presents with big names of the MPB, such as Filo Machado, Dominguinhos, Ricardo Herz, olmir Stoker, Jonathan Santana, Jane Duboc, Zé Luiz Mazzioti, André Mehmari, Alaíde Costa, Johnny Alf, Choron, Zimbo Trio, Three, Arrigo Barnabé. While Bruno Tesselaar, drums, percussion and studied music theory at the Federal University of Santa Maria and was awarded a grant in 2005 from the Berklee College of Music in Boston. Since 2004 lives in San Pablo where he has played with artists such as Michel Leme, Thiago Espírito Santo, Pepe Cisneros, Marco Angi, Edu Letti, Djalma Lima. 
www.anapauladasilva.com www.myspace.com / apdasilva
Source: http://www.elargentino.com/nota-114266-medios-122-Una-noche-para-recordar-a-Vinicius-ya -Tom-Jobim.html
www.anapauladasilva.com www.myspace.com / apdasilva Source: http://www.elargentino.com/nota-114266-medios-122-Una-noche-para-recordar-a-Vinicius-ya -Tom-Jobim.html
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