Re / positions: Contemporary Scene Forum
Re / positions: Contemoránea Scene Forum aims to be a point of encounter, dialogue and criticism among artists, viewers, researchers and managers of contemporary performing practices. We call them scenic practices under which it is not formally or staging or choreography, but rather undercross or cross disciplines and genres. In the words of the critic
Rodolfo Obregon, for these practices is a line [art] that puts a strain on the great institution of the century theater is gone, rooted mimetic questioning the idea of \u200b\u200bthe large repertoire as an infinite source interpretation, and sacred triad "full, illusion and representation of the world" [...]
Its nature is multidisciplinary and interdisciplinary theory in their practices. Among other contributions, practices influenced by this current stage have proposed changing the relationship with the viewer-participant and have carried out their actions on unbounded spaces for art institutions, which often has shifted the invisible forms or the ends of the political action ...
Basically, the major contribution of this current reaches the crest of its wave in the first decade of the century, while the staging and drama retract furiously, lies, in my opinion, in the rescue event which is the essence of performing arts and an emphasis on sensory experience, intellectual soul that this occurs in those who testify.
contemporary performing arts, then, are artistic practices that appear clear reflection on the viewer's experience, the emotions, the point of view and the occupation of space. Also, assume the legacy of performance art in the theater and dance and take both the theater and dance as terms to be dynamite.
Re / positions: Contemoránea Scene Forum aims to be a point of encounter, dialogue and criticism among artists, viewers, researchers and managers of contemporary performing practices. We call them scenic practices under which it is not formally or staging or choreography, but rather undercross or cross disciplines and genres. In the words of the critic
Rodolfo Obregon, for these practices is a line [art] that puts a strain on the great institution of the century theater is gone, rooted mimetic questioning the idea of \u200b\u200bthe large repertoire as an infinite source interpretation, and sacred triad "full, illusion and representation of the world" [...]
Its nature is multidisciplinary and interdisciplinary theory in their practices. Among other contributions, practices influenced by this current stage have proposed changing the relationship with the viewer-participant and have carried out their actions on unbounded spaces for art institutions, which often has shifted the invisible forms or the ends of the political action ...
Basically, the major contribution of this current reaches the crest of its wave in the first decade of the century, while the staging and drama retract furiously, lies, in my opinion, in the rescue event which is the essence of performing arts and an emphasis on sensory experience, intellectual soul that this occurs in those who testify.
contemporary performing arts, then, are artistic practices that appear clear reflection on the viewer's experience, the emotions, the point of view and the occupation of space. Also, assume the legacy of performance art in the theater and dance and take both the theater and dance as terms to be dynamite.
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THE MIRACLE THEATRE
MILAN # 24 COL. JUAREZ
between Lucerne and GRAL. PRIM 5566 9423
presentations Ticket: $ 140 regular discounts of 50%, residents of the cabbage. Juarez, teachers and theater student: $ 50.
MILAN # 24 COL. JUAREZ
between Lucerne and GRAL. PRIM 5566 9423
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