High Haematocrit In Dogs

wheel crazy heart Corpus Collective Theatre does the public space an intimate body

A Gherry Maya, for joining us on this journey Magic

On Friday 6 April, the group Corpus Maracaibo Theatre comes to Cape la Vela sister Republic Colombia; invitation by the Cultural Corporation Jayeechi, based in Riohacha. After a day at the beach and sand, in the evening, were called randomly beings who attended the presentation of the work Tram wheel crazy heart. As in any public feast, a space opened in the middle of the celebration, in the middle of the bustle, in the center of the pace taken by the waves, exhausting, salt, moisture. Which popular dance, people were everywhere, all angles were visible: people in front, behind, children on either side of the stage that held the lights at the edge of the beach, or under it, people who stood on the truck to see what there began to take shape. From all sides came the sound of the flute began Luis Julio Toro and function. All waiting. All waiting. The birth of the first movement, the first sound is a deep echo, mocking and distant from the sea. Rather than provide a sample the collective was to talk to the sea, with people. Ongoing interventions, the screams, the changes to the score of the work, were requests that were heard at all times. All were part of the work that was woven in the midst of these proposals and suggestions. In the most unexpected moments arose laughter, and cries constantly. All was joy. Thus came the voices and sounds of Elis Regina, La Lupe, Beny Moré and Pink Floyd, especially in that wind through sand and salt water was covering us. Upon completion of the work, the words of estrangement arose from people watching the event. Some time later, as we left the room through the window of transport people continued to its conclusion, her party, but without interrupting or through the space that was created for the work. There was an exchange of life and respect for others.

next day Public Library Riohacha was the stage for the continuation of the ritual. People, on time, attended the event. As background, accompanied Wayuu tissue movements, as if it really belonged to the work. Although a cautious audience, emerged as unexpected laughter, requests, screaming, wanting to modify or intervene in what is already established. At the end turn their words, questions, hugs, all amid the strangeness of the moment. The next day, in conversation with Henry Berbeo, he explains that breaks the daily Jayeechi with their proposals, which the children ask for the activities, works for the "jayeechi" (song).

Corpus The group presented its Jayeechi Theatre in alternative spaces, where people go in the real places where you can share the song.

Adriana Prieto